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Modulation of the startle reflex by pleasant and unpleasant music.

机译:令人愉悦和不愉快的音乐对惊吓反射的调节。

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摘要

The issue of emotional feelings to music is the object of a classic debate in music psychology. Emotivists argue that emotions are really felt in response to music, whereas cognitivists believe that music is only representative of emotions. Psychophysiological recordings of emotional feelings to music might help to resolve the debate, but past studies have failed to show clear and consistent differences between musical excerpts of different emotional valence. Here, we compared the effects of pleasant and unpleasant musical excerpts on the startle eye blink reflex and associated body markers (such as the corrugator and zygomatic activity, skin conductance level and heart rate). The startle eye blink amplitude was larger and its latency was shorter during unpleasant compared with pleasant music, suggesting that the defensive emotional system was indeed modulated by music. Corrugator activity was also enhanced during unpleasant music, whereas skin conductance level was higher for pleasant excerpts. The startle reflex was the response that contributed the most in distinguishing pleasant and unpleasant music. Taken together, these results provide strong evidence that emotions were felt in response to music, supporting the emotivist stance.
机译:音乐情感问题是音乐心理学经典辩论的对象。情绪主义者认为,情感确实是对音乐的反应,而认知主义者则认为音乐只是情感的代表。音乐对音乐情感的心理生理记录可能有助于解决辩论,但过去的研究未能显示出不同情感价的音乐摘录之间清晰而一致的差异。在这里,我们比较了令人愉悦和令人不快的音乐摘录对惊吓的眨眼反射和相关的身体标志(例如皱纹和and活动,皮肤电导水平和心律)的影响。与愉悦的音乐相比,惊跳的眨眼幅度更大,潜伏期更短,这表明愉悦的音乐确实是由音乐调节的。在不愉快的音乐中,瓦楞纸机的活动也得到了增强,而对于愉悦的摘录,皮肤电导水平更高。惊吓反射是在区分悦耳和不悦音乐中贡献最大的反应。综上所述,这些结果提供了有力的证据,表明人们对音乐的反应是情感,支持了情感立场。

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