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Deterioration of medieval painting in the chapel of the Holy Nail, Siena (Italy) partially treated with Paraloid B72

机译:锡拉(意大利)圣指甲教堂中的中世纪绘画恶化,部分用抛物线B72处理

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Painted surfaces in the Chapel of the Holy Nail in the medieval ex-hospital of Siena show five areas of oxidation and blackening. Most were treated with Paraloid B72 acrylic resin 40 years ago. To study deterioration of the painted surfaces by scanning microscopy with X-ray dispersion microanalysis, fragments obtained from the five areas were analyzed directly and after hydration. Hydrated fragments treated with Paraloid showed a compact, shiny, impermeable surface. The acrylic resin forms a layer that inhibits interaction of the painting with the environment, including transpiration and gaseous exchange. Element composition of paint layers of different colours revealed gold, iron (oxides in ochre) and lead (oxide) tempered with lime and/or gypsum. A few microbial cells were found on all fragments. To study biological deterioration in the five areas, fragments were hydrated and incubated in minimal culture medium without added carbon source to select bacteria capable of using carbon sources in the medieval fresco. Analysis did not reveal any spores or hyphae, and excluded physical and mechanical damage. Bacteria of the genus Bacillus were isolated only from untreated samples. Paraloid resin forms an inert film over the mural, preventing access to microbes able to use nutrient sources in the painted layer. The screening of 168 rRNA libraries from enrichment cultures showed wide phylogenetic diversity. Forty-four percent of the clones retrieved from the clone library were affiliated with the order Firmicutes, confirming the prevalence of aerobic spore-formers among the colonizing microflora. Firmicutes therefore presumably produced extracellular material which made water available to other bacteria which may have converted thiosulphate in the medieval tempera to sulphur globules. Sulphur is a known oxidant of metallic pigments, in this case aluminium, which may explain the blackening of the untreated sample.
机译:中世纪锡耶纳前医院圣指甲教堂的油漆表面有五个氧化和变黑的区域。大多数在40年前用Paraloid B72丙烯酸树脂处理过。为了通过X射线色散显微分析的扫描显微镜研究涂漆表面的变质,直接分析和水合后从这五个区域获得的碎片。经Paraloid处理的水合碎片显示出致密,有光泽,不可渗透的表面。丙烯酸树脂形成一层层,该层抑制涂料与环境的相互作用,包括蒸腾作用和气体交换。不同颜色的涂料层的元素组成显示出金,铁(石中的氧化物)和铅(氧化物),并用石灰和/或石膏回火。在所有碎片上都发现了一些微生物细胞。为了研究这五个区域的生物退化,将片段水合并在不添加碳源的基本培养基中孵育,以选择能够在中世纪壁画中使用碳源的细菌。分析没有发现任何孢子或菌丝,并且排除了物理和机械损伤。芽孢杆菌属的细菌仅从未经处理的样品中分离。抛物线型树脂在壁画上形成一层惰性薄膜,从而防止了微生物接触到能够利用涂料层中营养源的微生物。从富集培养物中筛选168个rRNA文库显示出广泛的系统发育多样性。从克隆文库中检索到的克隆中有44%与Firmicutes顺序相关,这证实了有氧芽孢形成物在定居微生物群中的流行。因此,硬菌可能产生了细胞外物质,使其他细菌可以用水,这些细菌可能已将中世纪蛋彩中的硫代硫酸盐转化为硫球。硫是金属颜料(在这种情况下为铝)的已知氧化剂,这可以解释未处理样品的变黑。

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