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Facial expression, size, and clutter: Inferences from movie structure to emotion judgments and back

机译:面部表情,大小和杂物:从电影结构到情感判断以及背景的推断

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摘要

The perception of facial expressions and objects at a distance are entrenched psychological research venues, but their intersection is not. We were motivated to study them together because of their joint importance in the physical composition of popular movies-shots that show a larger image of a face typically have shorter durations than those in which the face is smaller. For static images, we explore the time it takes viewers to categorize the valence of different facial expressions as a function of their visual size. In two studies, we find that smaller faces take longer to categorize than those that are larger, and this pattern interacts with local background clutter. More clutter creates crowding and impedes the interpretation of expressions for more distant faces but not proximal ones. Filmmakers at least tacitly know this. In two other studies, we show that contemporary movies lengthen shots that show smaller faces, and even more so with increased clutter.
机译:面部表情和物体的感知是根深蒂固的心理研究场所,但它们的交集却不是。我们之所以共同研究它们,是因为它们在流行电影的物理组成中具有共同的重要性-拍摄出一张较大脸部图像的持续时间通常比脸部较小的时间短。对于静态图像,我们探讨了观看者根据其视觉大小将不同表情的化合价分类所需的时间。在两项研究中,我们发现较小的面孔比较大的面孔需要更长的时间进行分类,并且这种模式与局部背景杂波相互作用。杂乱无章的东西会造成拥挤,并阻碍了对较远的脸部而不是近侧脸部的表情的解释。电影制片人至少是默认地知道这一点。在另外两项研究中,我们表明当代电影会延长拍摄的镜头,这些镜头显示的脸较小,杂乱的情况甚至更大。

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