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MICROSTRUCTURE AND SURFACE PROPERTIES OF FRESCOES BASED ON LIME AND CEMENT: THE INFLUENCE OF THE ARTIST'S TECHNIQUE

机译:基于石灰和水泥的壁画的微观结构和表面特性:艺术家技术的影响

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摘要

Frescoes are known to be the most durable form of mural painting. The traditional technique, widely used throughout history, consists of applying water-dispersed pigments on a fresh lime plaster, which hardens through a carbonation reaction. At the beginning of the 20th century, Portland cement was used by some mural artists to obtain similar painting plaster. Although involving different setting mechanisms, cement-based frescoes show the same aspect and durability as lime-based frescoes. Using microstructure characterizations of ancient frescoes (lime- or cement-based) and laboratory reconstructions, this paper offers a description of the mechanisms responsible for the adhesion of pigments and the hardening of surface.
机译:壁画是壁画的最耐用形式。整个历史上广泛使用的传统技术包括将水分散的颜料涂在新鲜的石灰石膏上,该石膏通过碳酸化反应硬化。 20世纪初,一些壁画艺术家使用波特兰水泥来获得类似的绘画石膏。尽管涉及不同的凝结机制,但水泥基壁画的外观和耐用性与石灰基壁画相同。利用古代壁画(基于石灰或水泥的壁画)的微观结构表征和实验室改造,本文描述了造成颜料粘附和表面硬化的机理。

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