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The dead Syrian refugee boy goes viral: funerary Aylan Kurdi memes as tools of mourning and visual reparation in remix culture

机译:死叙利亚难民男孩去了病毒:避免艾伦库尔德的反映作为混音文化中的哀悼和视觉赔偿的工具

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摘要

The picture of 3-year-old Syrian refugee Aylan Kurdi, whose dead body washed up on a Turkish beach in September 2015, was lauded as iconic after it went viral. Within hours, Aylan was a symbol, a hashtag and a meme. This project analyzes funerary Aylan memes to understand their meanings and functions as they proliferated in cyberspace. Through iconographic tracking and visual rhetorical analysis, the project expands the functions of memes from visual jokes and social and political commentary to tools of grieving and atonement. The study demonstrates how memes are deployed to subvert and renegotiate reality, in this case to create a 'better ending' for the child and seek reparations for his death. The project also suggests that the rhetorical powers of iconic images may be eroding in remix culture due to their digital appropriations.
机译:3岁的叙利亚难民Aylan Kurdi的图片,其尸体在2015年9月在土耳其海滩上冲了下来,在病毒过程中被称为标志性。 在几小时内,艾伦是一个符号,一个hashtag和meme。 该项目分析了丧葬艾伦模型,以了解他们在网络空间中增殖的含义和功能。 通过Iconographic跟踪和视觉修辞分析,该项目扩大了模因与悲伤和赎罪工具的视觉笑话和社会和政治评论的功能。 该研究表明,在这种情况下,如何部署MEMES以颠覆和重新谈判现实,为孩子创造一个“更好的结局”并为他的死亡寻求赔偿。 该项目还表明,由于其数字拨款,标志性图像的修言文化可能是侵蚀的。

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