Ranci ' ere and the re-distribution of the sensible: The artist Rosanna Raymond, dissensus and postcolonial sensibilities within the spaces of the museum (vol 43, 123, 2019)

Tolia-Kelly D. P.

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Ranci ' ere and the re-distribution of the sensible: The artist Rosanna Raymond, dissensus and postcolonial sensibilities within the spaces of the museum (vol 43, 123, 2019)

机译：Ranci'ERE和重新分配了合理的：艺术家Rosana Raymond，博物馆空间内的解剖和后殖民敏感性（第43,23,2019）

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来源
《Progress in human geography》 |2020年第1期|共1页
作者
Tolia-Kelly D. P.;
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Univ Durham West Bldg SC Site South Rd Durham DH6 4SD Durham England;

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正文语种 eng
中图分类人文地理学;
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入库时间 2022-08-20 06:41:39

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1. Ranci ' ere and the re-distribution of the sensible: The artist Rosanna Raymond, dissensus and postcolonial sensibilities within the spaces of the museum (vol 43, 123, 2019) [J] . Tolia-Kelly D. P. Progress in human geography . 2020,第1期

机译：Ranci'ERE和重新分配了合理的：艺术家Rosana Raymond，博物馆空间内的解剖和后殖民敏感性（第43,23,2019）
2. Ranciere and the re-distribution of the sensible: The artist Rosanna Raymond, dissensus and postcolonial sensibilities within the spaces of the museum [J] . Tolia-Kelly Divya P. Progress in human geography . 2019,第1期

机译：Ranciere和重新分配的懂事：艺术家Rosana Raymond，博物馆空间内的解剖和后殖民敏感性
3. Rancière and the re-distribution of the sensible : the artist Rosanna Raymond, dissensus and postcolonial sensibilities within the spaces of the museum. [O] . Tolia-Kelly Divya P. 2017

机译：兰西埃（Rancière）和明智人的重新分配：艺术家罗珊娜·雷蒙德（Rosanna Raymond），博物馆空间内的异议和后殖民时代的敏感度。

Ranci ' ere and the re-distribution of the sensible: The artist Rosanna Raymond, dissensus and postcolonial sensibilities within the spaces of the museum (vol 43, 123, 2019)

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