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Identification of Pigments in Colored Layers of a Painting by Raman Spectroscopy

机译:拉曼光谱法鉴定绘画彩色层中的颜料

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摘要

AbstractUsing the method of Raman spectroscopy the pigment composition is investigated of, and the brushwork technique used in, the original layer of a 19th century painting is established. It is an overdoor worked, presumably, by Antoine Jean-Etienne Faivre. It is established that the artist used the following pigments: cinnabar and dyes on the basis of goethite and hematite (for red, yellow–orange, and brown shades), ultramarine and Prussian blue (for blue shades), and Emerald green and a mixture of blue and yellow shades (to obtain a green color). It is determined that white lead was used a primer.]]>
机译:<![CDATA [<摘要ID =“abs1”语言=“en”> <标题>抽象 ara>使用拉曼光谱法研究颜料组合物,并使用刷子技术 建立了19世纪绘画的原始图层。 这是一个过度的工作,大概是由Antoine Jean-Etienne Faivre。 建立了艺术家使用以下颜料:朱砂和染色的染料(用于红色,黄橙色和棕色色调),ultramarine和普鲁士蓝(蓝色色调)和祖母绿绿色和混合物 蓝色和黄色色调(获得绿色)。 确定白铅被使用底漆。 ]]>

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  • 来源
    《Optics and Spectroscopy》 |2017年第6期|共5页
  • 作者单位

    Faculty of Monumental and Decorative Arts St. Petersburg Stieglitz State Academy of Art and Design;

    Research Park St. Petersburg State University;

    Research Park St. Petersburg State University;

    Research Park St. Petersburg State University;

    Faculty of Monumental and Decorative Arts St. Petersburg Stieglitz State Academy of Art and Design;

    Faculty of Monumental and Decorative Arts St. Petersburg Stieglitz State Academy of Art and Design;

    Research Park St. Petersburg State University;

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  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 光学;
  • 关键词

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