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The representation of nurses in 1950s melodrama: A cross-cultural approach

机译:1950年代护士的代表Melodrama:一种跨文化方法

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Melodrama is identified as one of the most prolific cinematic genres in terms of the representation of nurses. Its contribution to the overall media depiction of the professional category has therefore been significant. This paper explores melodramatic portrayals of nurses with a specific focus on cinema of the 1950s, the golden age of Western melodrama, and concentrates on two representative case studies: Anna (ITA, 1951), and The Nun's Story (USA, 1959). These films enable a fruitful comparison, sharing several narrative elements, featuring religious nurses as protagonists, and yet eventually conferring on the nursing vocation different values. Such similar nurses' images are examined through a multidisciplinary approach, spanning feminist film theory, gender and cultural studies, cultural history and the social history of nursing. Among the goals of this study is to consider whether different national origins - in these films, Italy and America - have also been influential in the depiction of the respective nurse-character.
机译:Melodrama在护士的代表方面被确定为最多增殖的电影类型之一。因此,它对专业类别的整体媒体描绘的贡献已经重要。本文探讨了护士的素质描绘了19世纪50年代的电影,西部梅多拉马州的黄金时代,并专注于两种代表性研究:安娜(ITA,1951年)和尼姑的故事(美国,1959年)。这些电影使得富有成效的比较,分享了几个叙事元素,以宗教护士为主角,但最终赋予护理职业不同的价值。通过多学科方法,跨越女性主义电影理论,性别和文化研究,文化史以及护理的社会历史来研究这样的类似护士的图像。本研究的目标是考虑是否在这些电影中,意大利和美国的不同国家起源 - 在各自护士人物的描述中也是有影响力的。

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