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首页> 外文期刊>Archaeometry >MICROSTRUCTURE AND SURFACE PROPERTIES OF FRESCOES BASED ON LIME AND CEMENT: THE INFLUENCE OF THE ARTIST'S TECHNIQUE
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MICROSTRUCTURE AND SURFACE PROPERTIES OF FRESCOES BASED ON LIME AND CEMENT: THE INFLUENCE OF THE ARTIST'S TECHNIQUE

机译:基于石灰和水泥的壁画的微观结构和表面特性:艺术家技术的影响

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摘要

Frescoes are known to be the most durable form of mural painting. The traditional technique, widely used throughout history, consists of applying water-dispersed pigments on a fresh lime plaster, which hardens through a carbonation reaction. At the beginning of the 20th century, Portland cement was used by some mural artists to obtain similar painting plaster. Although involving different setting mechanisms, cement-based frescoes show the same aspect and durability as lime-based frescoes. Using microstructure characterizations of ancient frescoes (lime- or cement-based) and laboratory reconstructions, this paper offers a description of the mechanisms responsible for the adhesion of pigments and the hardening of surface.
机译:众所周知,壁画是最耐用的壁画形式。 广泛使用的传统技术在整个历史中,包括将水分散的颜料应用于新鲜的石膏,这通过碳酸化反应硬化。 在20世纪初,一些壁画艺术家使用波特兰水泥获得类似的绘画石膏。 虽然涉及不同的设定机制,但基于水泥的壁画显示与基于石灰的壁画相同的方面和耐用性。 本文利用古代壁画(基于石灰或水泥)和实验室重建的微观结构特征,提供了负责颜料粘附和表面硬化的机制的描述。

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