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The effects of metronomic penduSar adjustment versus tap-tempo input on the stability and accuracy of tempo perception

机译:节拍摆幅调整与拍子速度输入对速度感知的稳定性和准确性的影响

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摘要

This study explores tempo stability and accuracy while comparing two subject-response modes; the traditional metronomic pendular adjustment task versus tap-tempo input. Experiment 1 questioned if a single correct tempo measurement consistently emerges from repeated listenings, and if subject-response mode affects tempo stability and accuracy. Experiment 2 assessed incremental improvement between two repeated sessions, and questioned the incidence of self-pacing or congruent effects of potential delays on tempo responses. While single-session studies have shown that listeners find some tempos more enjoyable, can notice discrete differences in pace, and can remember rhythmic speed over prolonged periods of time, the current study employs a multiple-session format focusing on two diametrically opposed subject-response modes. The findings show that tempo responses by listeners without formal music training were consistent across listening sessions, and that responses from tap-tempo input were significantly more stable and accurate than responses from metronomic pendular adjustment tasks.
机译:本研究在比较两种主体响应模式的同时探讨了节奏的稳定性和准确性。传统的节拍摆式调整任务与拍子速度输入。实验1质疑重复聆听是否会始终出现一个正确的速度测量值,以及主体响应模式是否会影响速度的稳定性和准确性。实验2评估了两个重复会话之间的增量改进,并质疑了自定进度的发生或潜在延迟对节奏响应的影响。虽然单节研究表明听众发现某些节奏更令人愉悦,可以注意到速度的离散差异,并可以记住长时间的节奏速度,但当前的研究采用了多节形式,侧重于两个截然相反的主题反应模式。研究结果表明,未经正式音乐训练的听众在速度上的响应在听音过程中是一致的,并且敲击速度输入的响应比节拍摆式调整任务的响应更加稳定和准确。

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