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Crocoite PbCrO_4 and mimetite Pb_5(AsO_4)_3Cl: rare minerals in highly degraded mediaeval murals in Northern Bohemia

机译:Crocoite PbCrO_4和Mimetite Pb_5(AsO_4)_3Cl:北波西米亚高度退化的中世纪壁画中的稀有矿物

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Mural paintings of exceptional quality, which can be discerned in spite of their extensive mechanical damage and colour fading, have been uncovered in the church of St. Gallus in Ku?ívody, Northern Bohemia, dated to the second half of the 13th century. Materials research with particular use of portable X-ray fluorescence, Raman micro-spectroscopy and powder X-ray micro-diffraction revealed the presence of rare pigments. In Ku?ívody, it is only a second identification of intentionally used yellow mineral crocoite (PbCrO_4) in European art. Its identification is facilitated by providing a very good Raman scattering, even when present in small amounts in fragmentarily preserved colour layers. Light yellow mimetite (Pb_5(AsO_4)_3Cl) was never before mentioned as intentionally used pigment in Europe. Its finding in Ku?ívody, however, corresponds more likely with undesirable physical-chemical conditions causing its formation by alteration of orpiment (As_2S_3) and minium (Pb_3O_4). Obtained results highlight the importance of Raman spectroscopy for direct identification of mineral pigments in low concentrations, which may be crucial for interpreting cultural heritage objects in historical context. By materials, the almost forgotten paintings in Ku?ívody can be seen as outstanding and rare example of ancient artistic tradition that has spread to Europe from Mediterranean in early Middle Ages. After all, mineral crocoite was already used by ancient Egyptians to paint sarcophagi and degraded orpiment decorates the walls of the Nefertari's tomb in Thebes.
机译:尽管在13世纪下半叶,北波西米亚Ku?vody的St. Gallus教堂发现了优质的壁画,尽管它们受到了广泛的机械损坏和褪色,但仍可被发现。材料研究,特别是使用便携式X射线荧光,拉曼光谱和粉末X射线微衍射,揭示了稀有颜料的存在。在Ku?ívody,这只是欧洲艺术中故意使用的黄色矿物鳄鱼皮(PbCrO_4)的第二个标识。通过提供非常好的拉曼散射,即使当少量存在于零散保存的彩色层中时,也有助于其识别。以前从未在欧洲提及过浅黄色钙钛矿(Pb_5(AsO_4)_3Cl)。然而,它在Ku?ívody中的发现更可能与不希望的物理化学条件相对应,这是由于果皮(As_2S_3)和最小(Pb_3O_4)的改变导致其形成的。获得的结果凸显了拉曼光谱法对直接鉴定低浓度矿物颜料的重要性,这对于在历史背景下解释文化遗产物体可能至关重要。从材料上看,库伊沃迪几乎被遗忘的画作可以看作是古代艺术传统的杰出典范,在中世纪早期已从地中海传播到欧洲。毕竟,古埃及人已经使用矿物番红花粉刷石棺,并在底比斯(Thebes)的纳菲塔里(Nefertari)墓墙上装饰了退化的果皮。

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