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3D remote colorimetry and watershed segmentation techniques for fresco and artwork decay monitoring and preservation

机译:用于壁画和艺术品衰减监控和保存的3D远程比色法和分水岭分割技术

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摘要

One of the most crucial problems in cultural heritage environment is the remote monitoring of the state of monuments, especially of large surfaces (e.g. frescos, chapels). In 2011 a complete 3D colour digitization of the Sistine Chapel was executed by the RGB-ITR (Red Green Blue - Imaging Topological Radar) laser scanner prototype, developed by the UTAPRAD-DIM (Technical Unit for the development of APplications of RADiations - Diagnostics and Metrology) lab of C.R. ENEA Frascati. The preservation of the frescos is put at risk by the salt efflorescence (e.g., calcium carbonate) due to physical and chemical agents. These outcrops showing colours deterioration appear on the fresco as whitish areas of variable size. Within this framework, the scientific challenge is to provide a starting point for the non-invasive diagnosis of fresco degradation in order to contribute to the design and realization of innovative solutions for the restoration and conservation of the paintings, especially in presence of extended surfaces with difficult access. The present work shows the results obtained by the integration of two techniques, based on the RGB-ITR hyper-photos and the watershed algorithm for a semi-automatic detection of defects on fresco. The study case concerns the fresco located inside the Sistine Chapel known as "Temptations of Christ" by Sandro Botticelli.
机译:在文化遗产环境中,最关键的问题之一是对古迹,特别是大片表面(例如壁画,教堂)的状态进行远程监控。 2011年,由UTAPRAD-DIM(技术部门开发用于辐射的应用)的RGB-ITR(红绿蓝-成像拓扑雷达)激光扫描仪原型对西斯廷教堂进行了完整的3D彩色数字化。 CR ENEA Frascati的“计量”实验室。由于物理和化学因素,盐风化(例如碳酸钙)使壁画的保存处于危险之中。这些露出颜色变差的露头出现在壁画上,成为发白的大小可变的区域。在此框架内,科学上的挑战是为壁画退化的非侵入性诊断提供一个起点,以便为设计和实现用于修复和保护绘画的创新解决方案做出贡献,尤其是在存在表面扩展的情况下。难以进入。本工作显示了通过结合两种技术获得的结果,这两种技术基于RGB-ITR超图片和用于分壁壁画缺陷的半自动检测的分水岭算法。研究案例涉及位于西斯廷教堂内的壁画,桑德罗·波提切利(Sandro Botticelli)将其称为“基督的诱惑”。

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