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Haft rang or cuerda seca? Spectroscopic approaches to the study of overglaze polychrome tiles from seventeenth century Persia

机译:柄响了还是cuerda seca?光谱学方法研究十七世纪波斯的釉面彩釉瓷砖

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摘要

Seventeenth century polychrome overglaze haft rang tiles found in various regions of Iran (Isfahan, Qazvin, Mashhad, and Mazandaran) were investigated with ultraviolet-visible spectroscopy (UV-Vis), portable X-ray fluorescence (pXRF), energy dispersive X-ray spectroscopy (EDS), and micro-Raman spectroscopy. Two types of glazes were identified, namely low lead-alkali and high lead glazes, in which cobalt, copper, iron, and manganese were used as colourants. Tin oxide and lead-tin yellow were recognised as white and yellow opacifiers respectively. The black line, which was used for delineating the tiles' design, was mainly composed of manganese, iron, and aluminium oxides. The high maturing temperature of this line prevented the low-temperature coloured glazes run together during the firing. Finally, technological differences between haft rang and cuerda seca techniques are highlighted and minai overglazes are briefly compared with haft rang overglazes.
机译:使用紫外线可见光谱法(UV-Vis),便携式X射线荧光(pXRF),能量色散X射线对在伊朗各个地区(伊斯法罕,加兹温,马什哈德和马赞达兰)发现的十七世纪彩釉高炉砖进行了研究。光谱(EDS)和显微拉曼光谱。确定了两种类型的釉料,即低铅碱釉料和高铅釉料,其中使用了钴,铜,铁和锰作为着色剂。氧化锡和铅锡黄分别被认为是白色和黄色遮光剂。用于划定瓷砖设计的黑线主要由锰,铁和氧化铝组成。该生产线的高成熟温度阻止了低温有色釉料在烧制过程中一起流淌。最后,重点介绍了柄距和cuerda seca技术之间的技术差异,并与柄距上釉进行了简要比较。

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