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The slippery sign cultural constructions of youth and youthful constructions of culture in tuareg men's face-veiling

机译:青年人的湿滑标志文化构造和图阿雷格人面部遮盖的年轻文化构造

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摘要

A key focus of semiotic and anthropological investigation concerns aesthetics and social poetics. In poststructural analyses of signs and symbols as fluid and dynamic phenomena, an important domain of study is visual signification: for example, dress. This essay explores nuances of shifting meanings, both within and beyond the control of the wearers, in the tug-of-war between convention and invention, and beyond, in moving toward reinventions of headdress in intergenerational relationships and social upheavals. The focus is on ways in which signs in the Tuareg men 's face veils are manipulated, disputed, and transformed by youths in the Tamajaq-speaking communities of northern Niger and Mali. Moving beyond the veil's "traditional" meanings, this analysis will examine its refashioning as a "shifter" by youthful Tuareg men alienated by drought, unemployment, and war, in their counter-cultural critique through the use of style.
机译:符号学和人类学研究的重点是美学和社会诗学。在对作为流动和动态现象的符号进行符号化的后结构分析中,研究的重要领域是视觉符号:例如服饰。本文探讨了在传统与发明之间的拔河以及在跨代关系和社会剧变中重塑头饰的过程中,在穿戴者的控制范围之内和之外的,不断变化的含义的细微差别。重点是在尼日尔北部和马里北部讲塔玛雅克语的年轻人中,图阿雷格人脸上的面纱的标志受到年轻人操纵,争议和转变的方式。这一分析超越了面纱的“传统”含义,将通过使用样式,在对反干旱文化的批判中,考察青年人图阿雷格人因干旱,失业和战争而疏远为图阿雷格人的“转移者”的重新塑造。

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