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Clique Size and Network Characteristics in Hyperlink Cinema: Constraints of Evolved Psychology

机译:超链接电影中的集团规模和网络特征:不断发展的心理学的约束

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摘要

Hyperlink cinema is an emergent film genre that seeks to push the boundaries of the medium in order to mirror contemporary life in the globalized community. Films in the genre thus create an interacting network across space and time in such a way as to suggest that people's lives can intersect on scales that would not have been possible without modern technologies of travel and communication. This allows us to test the hypothesis that new kinds of media might permit us to break through the natural cognitive constraints that limit the number and quality of social relationships we can manage in the conventional face-to-face world. We used network analysis to test this hypothesis with data from 12 hyperlink films, using 10 motion pictures from a more conventional film genre as a control. We found few differences between hyperlink cinema films and the control genre, and few differences between hyperlink cinema films and either the real world or classical drama (e.g., Shakespeare's plays). Conversation group size seems to be especially resilient to alteration. It seems that, despite many efficiency advantages, modern media are unable to circumvent the constraints imposed by our evolved psychology.
机译:超链接电影是一种新兴的电影类型,旨在突破媒体的界限,以反映全球化社区中的当代生活。因此,该类型的电影创建了一个跨越时空的互动网络,暗示人们的生活可以在没有现代旅行和通讯技术的情况下可以相交。这使我们能够检验一种假设,即新型媒体可能允许我们突破自然的认知限制,这种限制限制了我们在传统的面对面世界中可以管理的社会关系的数量和质量。我们使用网络分析来验证来自12个超链接电影的数据的假设,并使用来自更常规电影类型的10个电影作为对照。我们发现超链接电影和控制流派之间几乎没有差异,超链接电影和现实世界或古典戏剧(例如莎士比亚的戏剧)之间也几乎没有差异。会话组的大小似乎对变更特别有弹性。看起来,尽管有许多效率优势,现代媒体仍无法绕开我们不断发展的心理学施加的限制。

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