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Vibrato extent and intonation in professional Western lyric singing

机译:西方专业抒情歌中的颤音范围和音调

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摘要

Two important aspects of singers' F0 control have been investigated: vibrato extent and intonation. From ten commercially available compact disc recordings of F. Schubert's Ave Maria, 25 tones were selected for analysis. Fundamental frequency was determined by spectrograph analysis of a high overtone at each turning point of the vibrato undulations. It was found that the mean vibrato extent for individual tones ranged between ±34 and ±123 cent and that the mean across tones and singers amounted to ±71 cent. Informal measurements on Verdi opera arias showed much higher figures. With regard to intonation substantial departures from equally tempered tuning were found for individual tones. A tone's vibrato extent was found to have a negative correlation with tone duration and a positive correlation with intonation.
机译:研究了歌手F0控制的两个重要方面:颤音范围和语调。从F. Schubert的Ave Maria的十张商业光盘记录中,选择25种音调进行分析。基本频率是通过频谱图分析颤音波动的每个转折点处的高泛音来确定的。结果发现,单个音调的平均颤音范围在±34至±123分之间,而跨音调和歌手的平均颤音范围为±71分。对威尔第歌剧咏叹调的非正式测量显示出更高的数字。关于语调,发现各个音调均与平均调律有很大的出入。发现音调的颤音程度与音调持续时间呈负相关,与音调呈正相关。

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