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The role of collective symbols as enhancing resilience in children's art

机译:集体象征在增强儿童艺术复原力中的作用

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This paper contributes to understanding the experience of forced relocation for children, and offers a new reading of their art, adding concepts of resilience to art analyses, and also contextualizing drawing assessment within a cultural perspective.Forced relocation of people from their homes due to changes in borders, war or natural disasters has been recognized in the literature as a stressor which has affected communities throughout the world. However, the responses of latency-aged children to these stressors have not been sufficiently addressed. In an attempt to fill that gap, this article presents a phenomenological and diagnostic analysis of drawings made by Israeli children aged 7-9 who were evacuated from localities in the Gaza strip area.The drawings indicate that the experience of forced relocation remained a significant one for the children, even 2 years after the event. The children's drawings reveal the difficulties they experienced, as well as the coping strategies that they used to work through the experience and adjust to the situation. The children included numerous ideological statements in their drawings, which evidently reflect an attempt to understand the meaning of the relocation, and emphasize their group affiliation. As a result, this paper demonstrates that it is important to include the components of ideology, community, and family in evaluations of children's art work in order to evaluate children's constructive coping.
机译:本文有助于理解儿童被迫搬迁的经历,并为他们的艺术提供了新的解读,在艺术分析中增加了适应力的概念,并在文化视角下将绘画评估情境化。由于变化,人们被迫从家中搬迁在边界,战争或自然灾害中,文学已被认为是影响世界各地社区的压力源。但是,潜伏期儿童对这些压力源的反应尚未得到充分解决。为了填补这一空白,本文对从加沙地带地区撤离的7至9岁以色列儿童绘制的图画进行了现象学和诊断分析,这些图画表明强迫搬迁的经验仍然是一个重要的例子。对于孩子们,甚至在事件发生后两年。孩子们的图画揭示了他们遇到的困难,以及他们通过经验和适应情况所采用的应对策略。孩子们的图画中包含许多意识形态方面的陈述,这显然反映出人们试图理解搬迁的含义,并强调他们的团体隶属关系。结果,本文证明,在评估儿童美术作品时,必须包括意识形态,社区和家庭的组成部分,以评估儿童的建设性应对。

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