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Art therapy in the postmodern world: Findings from a comparative study across the UK, Russia and Latvia

机译:后现代世界中的艺术疗法:来自英国,俄罗斯和拉脱维亚的比较研究结果

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This is a comparative study of the development of art therapy in the UK, Russia and Latvia. The study is triggered by the belief that important learning can take place from fostering shared understanding and respecting differences across practices within a postmodern world that bears the danger of fragmentation and the loss of professional identity. Following a discussion of key postmodern ideas within art and arts therapies and historical references to the development of art therapy in the three countries studied, this paper provides an opportunity for empirically-based comparisons of practice. In particular, a questionnaire, originally developed by Karkou (1998), was disseminated to all practicing art therapists in the UK, Russian and Latvian specialists using art and art therapy methods, Russian graduates and Latvian students of the first training program in art therapy (Nazarova, 2008; Martinsone, 2009). Collected information relating to work environments, client groups and therapeutic trends were statistically analyzed in order to identify differences across countries. Mutual interactions and 'cultural borrowing' were also found and discussed primarily with regard to therapeutic trends. Despite methodological limitations, the study opens the way for future collaborations on the basis of informed understanding of art therapy practices across countries.
机译:这是对英国,俄罗斯和拉脱维亚艺术疗法发展的比较研究。这项研究是由以下信念引发的:通过在后现代世界中增进共识和尊重跨实践的差异,可以进行重要的学习,而这种现代世界存在分裂和失去职业认同感的危险。在讨论了艺术和艺术疗法中的主要后现代思想以及在所研究的三个国家中艺术疗法发展的历史参考之后,本文为基于经验的实践比较提供了机会。特别是,最初由Karkou(1998)制定的调查问卷已分发给英国的所有从业艺术治疗师,使用艺术和艺术疗法方法的俄罗斯和拉脱维亚专家,俄罗斯毕业生以及接受艺术疗法第一个培训计划的拉脱维亚学生( Nazarova,2008; Martinsone,2009)。对收集到的与工作环境,客户群和治疗趋势有关的信息进行了统计分析,以查明各国之间的差异。人们还发现并主要就治疗趋势进行了互动和“文化借用”。尽管方法上有局限性,但该研究在各国对艺术疗法实践的充分了解的基础上,为未来的合作开辟了道路。

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