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READING DESIRE IN THE PASTORALS OF ELIZABETH SINGER ROWE

机译:伊丽莎白·辛格·罗的牧师们的读书愿望

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Elizabeth Singer Rowe (1674-1737) was a prolific writer in her day who was actively engaged in the writing world of London and who made credible literary contributions that are in need of redress. Following in the tradition of Isaac Watts (1674-1748), Rowe is perhaps best known for her divine poems, particularly her biblical paraphrases and hymns. Yet it does Rowe a disservice to read her exclusively through the lens of religiosity, for in doing so we overlook the depth and complexity of her poetry. Rowe is a complicated poet, and while positioning her within a literary camp is nearly impossible, undeniably she was a pastoral poet. Although to date no scholarship treats Rowe specifically as such, the sheer volume of pastoral poems within her poetic oeuvre suggests that her attraction to the form was clearly a preoccupation. As a pastoral poet, Rowe made contributions to the form that differ from her male contemporaries. Specific points of departure include her thematic range and variety, and her complication of the pastoral narrative and its figures. Rowe uses the pastoral to explore female desires that might otherwise be silenced, and she pushes the limitations of the form by infusing elegiac and confessional qualities, making the pastoral conducive for personal discovery and lament.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; var addthis_config = {"data_track_addressbar":true,"ui_click":true}; Add to shortlist Link Permalink http://dx.doi.org/10.1080/09699082.2012.740868
机译:伊丽莎白·辛格·罗(Elizabeth Singer Rowe,1674-1737年)是一位多产的作家,她活跃于伦敦的写作世界,并为需要纠正的问题做出了可靠的文学贡献。遵循艾萨克·沃茨(Isaac Watts(1674-1748))的传统,罗恩(Rowe)也许以其神圣的诗歌而闻名,尤其是圣经中的比喻和赞美诗。然而,罗威(Rowe)只能通过宗教的角度来阅读她的作品,这对我们是无益的,因为这样做会使我们忽略了她诗歌的深度和复杂性。 Rowe是一位复杂的诗人,虽然将她安置在文学阵营中几乎是不可能的,但不可否认的是,她是一位田园诗人。尽管迄今为止,没有任何一项奖学金能够如此具体地对待罗文,但是在她的诗歌作品中,田园诗的数量之多表明她对形式的吸引力显然是一种关注。作为一位田园诗人,罗恩为这种形式做出了贡献,这与她的男性同时代人有所不同。具体的出发点包括她的主题范围和多样性,以及她对田园叙事及其形象的复杂性。罗(Rowe)使用牧人来探索女性的欲望,否则这些欲望可能会被压制,她通过注入挽歌和悔的特质来突破形式的局限性,使牧羊人有利于个人发现和哀叹。查看全文下载全文相关变量var addthis_config = { “泰勒和弗朗西斯在线”,services_compact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”}; var addthis_config = {“ data_track_addressbar”:true,“ ui_click”:true};添加到候选列表链接永久链接http://dx.doi.org/10.1080/09699082.2012.740868

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  • 来源
    《Women's Writing》 |2012年第4期|602-621|共20页
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    Heidi Laudien;

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