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Memory and the Metaphysics of Music: Battersby's Move Away from Deleuze and Guattari

机译:记忆与音乐的形而上学:巴特斯比从德勒兹和瓜塔里走开

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This essay seeks to further elucidate and critically assess the distinct philosophical position of Christine Battersby through examining in closer detail her critique of Deleuze and Guattari. It begins by discussing Battersby's reading of Deleuze and Guattari's materialist metaphysics, which focuses on their evocation of the a??refraina?? in A Thousand Plateaus. Through tracing their account of the material processes of repetition within the world of sound and music, Battersby acknowledges that Deleuze and Guattari offer an enticing alternative to the a??top-downa?? Kantian metaphysics of form over matter. However, she argues, the key problem is that Deleuze and Guattari seek to a??bypass memorya??, and end up establishing a false dichotomy between memory and repetition. In consequence, Deleuze and Guattari's a??rhizomaticsa?? and a??surface becomingsa?? block any investigation into the long-term patterns of repetition and memory that constitute specifically sexed, embodied modes of existence. Battersby turns instead to Kierkegaard's concept of repetition, which, she claims, brings memory and repetition together, showing that a??repetition can mark out depths as well as surfacesa??. The essay goes on to reassess Battersby's critique. It suggests a possible route for defending Deleuze against Battersby's charge that he seeks to a??bypass memorya?? by pointing out the pivotal role occupied by Bergson's concept of memory within Deleuze's solo-authored work. The essay concludes, however, by arguing that Battersby's critique of Deleuze as a resource for feminist philosophy nevertheless remains valid. This is because Deleuze's reworking of Bergson's concept of a??virtuala?? memory takes us no further towards the deeply ingrained material and historical patternings of female existence that Battersby seeks to give priority in her quest to overturn the androcentrism of western metaphysics.View full textDownload full textKeywordsChristine Battersby, Kant, Deleuze, Guattari, feminist philosophy, metaphysics, music, repetition, memoryRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; var addthis_config = {"data_track_addressbar":true,"ui_click":true}; Add to shortlist Link Permalink http://dx.doi.org/10.1080/09574042.2011.561114
机译:本文试图通过更详细地研究克里斯蒂娜·巴特斯比对德勒兹和瓜塔里的批评,来进一步阐明和批判性地评价克里斯蒂娜·巴特斯的独特哲学立场。首先讨论巴特斯比对德勒兹(Deleuze)和瓜塔里(Guattari)的唯物主义形而上学的读物,其重点是他们对“泛灵”的唤起。在千高原上。通过追踪他们对声音和音乐世界中重复过程的物质描述,巴特斯比承认德勒兹和瓜塔里提供了一种“自上而下”的诱人选择。关于物质的形式的康德形而上学。然而,她认为,关键的问题是德勒兹和瓜塔里试图寻求“绕过记忆”,并最终在记忆与重复之间建立了错误的二分法。结果,德勒兹和瓜塔里的《根瘤菌》和一个“表面变成sa”阻止对构成特定性别,具体化的生存方式的长期重复和记忆模式的研究。巴特斯比转而考虑了基尔凯郭尔的重复概念,她声称该概念将记忆和重复结合在一起,表明“重复可以标记出深度和表面”。这篇文章继续重新评估了巴特斯比的评论。这表明了捍卫德勒兹免受巴特斯比指控的一种可能途径,即他试图“绕过记忆”。指出德勒兹独奏作品中伯格森的记忆概念所起的关键作用。然而,本文的结论是,论证巴特斯比对德勒兹作为女权主义哲学资源的批判仍然有效。这是因为Deleuze对Bergson的“虚拟”概念的重制。记忆使我们无法进一步探究女性生存的根深蒂固的物质和历史模式,巴特斯比在寻求颠覆西方形而上学的男性中心主义时寻求优先考虑。全文下载全文关键词克里斯汀·巴特比(Christine Battersby),康德,德勒兹,瓜塔里,女权哲学,形而上学,音乐,重复,记忆相关var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,pubid:“ ra- 4dff56cd6bb1830b“}; var addthis_config = {“ data_track_addressbar”:true,“ ui_click”:true};添加到候选列表链接永久链接http://dx.doi.org/10.1080/09574042.2011.561114

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