ANOTHER DAY IN THE LABORATORY, and all was quiet apart from the scritch-scratch of styluses on graphics tablets. On dozens of screens, glowing in the low light, were the various components of a human body: the dislocated sphere of an eyeball, the strange topography of skin in extreme close-up, a thicket of sprouting hair follicles. At one particular coffee-cup-strewn workstation, an artist studied the essence, the key to the team's efforts-a clip of the '90s sitcom The Fresh Prince of Bel-Atr.
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