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THE FELINE GAZE 'GRAMS AT MOMA

机译:猫妈妈在MOMA上的凝视

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摘要

STEPHEN SHORE WAS an Instagram artist way before there was Insta-gram. He shot to prominence in the '70s with carefully composed snapshots of parkinglots, pancake breakfasts, and camping trips, beautiful banalities that future Instagrammers would try to emulate. Now that Shore is actually on the platform, he averages a post a day-and a retrospective of his work, opening at New York's Museum of Modern Art in November, shows off three years' worth of his 'grams. Including (obviously) a portrait of his beloved Himalayan cat, Oscar. Visitors will scan Shore's feed on iPads, preserving the social media experience of the finger-flicking scroll and the luminous screen. Oh, and don't compare his animal photography to your own. "When I take a photo of my cat, I'm well aware that there are millions of cat pictures on Instagram," he says. "The image has to be strong and not depend on it simply being a cat picture." In this moment with Oscar, the light was just right to highlight the deep pools of his eyes and the ferocity of his gaze. Shore assures us his cat doesn't look this scary IRL.
机译:在出现Insta-gram之前,STEPHEN SHORE是Instagram艺术家。在70年代,他以精心构图的停车场,薄煎饼早餐和露营旅行的快照,以及未来的Instagram使用者试图模仿的美丽平庸而引人注目。现在,Shore实际上已经在平台上,他每天平均要发表一篇文章,并回顾自己的作品,该作品于11月在纽约现代艺术博物馆开幕,展示了三年的“克”价值。包括(显然)他心爱的喜马拉雅猫奥斯卡的肖像。访客将在iPad上扫描Shore的提要,以保留手指滑动滚动和发光屏幕的社交媒体体验。哦,不要将他的动物摄影与您自己的相比较。他说:“当我给猫拍照时,我很清楚在Instagram上有数以百万计的猫照片。” “图像必须很强,并且不能仅仅依赖于猫的照片。”在奥斯卡的这一刻,光线恰到好处地突出了他深eyes的眼睛和凝视的凶猛。肖尔向我们保证,他的猫看起来并不可怕。

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  • 来源
    《Wired》 |2017年第11期|22-22|共1页
  • 作者

    ANNA VLASITS;

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