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A Museum of Hybridity: The History of the Display of Art in the Public Museum of Hong Kong, and Its Implications for Cultural Identities

机译:混合博物馆:香港公共博物馆的艺术陈列历史及其对文化身份的启示

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This essay demonstrates the ways in which the official Museum of Art in Hong Kong realizes its strategies and influences of identity formation by using its resources and representative position in both colonial and postcolonial spaces. I argue that there are ever-changing a??internala?? battles of cultural identities, and the official museum has been playing a significant role in some of the cultural and political antagonisms involved. Through a historical survey and investigation of some displays of art there, the essay shows how the museum incorporates the concept of cultural identity, challenges its stability and hegemony, and reformulates its meaning and content. The essay also argues for a subtle form of cultural policy, other than the publicized version, manifested in the birth and evolution of the local public art museum as an institution. The study points out that the official museum offers a variety of perspectives on hybrid discourses and the politics of identity in material forms. It is a practice of hybridity that calls attention to disjunctions and conjunctions, in the form of its development, organization, design and art display. It points out that the museum's permanent collection of Chinese traditional art, together with special exhibits of Western masterpieces, are demonstrating how hybridity, in Bakhtin's sense of a mixture of social languages within the limits of a single utterance or an encounter between two different linguistic consciousnesses, is represented in the Museum.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; var addthis_config = {"data_track_addressbar":true,"ui_click":true}; Add to shortlist Link Permalink http://dx.doi.org/10.1080/08949468.2011.526524
机译:本文说明了香港官方艺术博物馆如何利用其在殖民和后殖民空间中的资源和代表地位来实现其策略和身份形成的影响。我认为,“ internala”在不断变化。文化认同之战,官方博物馆在所涉及的某些文化和政治对抗中一直发挥着重要作用。通过对其中一些艺术作品的历史调查和调查,本文显示了博物馆如何融入文化身份的概念,如何挑战其稳定性和霸权性,并重新定义其含义和内容。除了公开版本,本文还主张采取一种微妙的文化政策形式,这种形式体现在地方公共美术馆作为一个机构的诞生和发展中。研究指出,官方博物馆对混合话语和物质形式的身份政治提供了多种观点。这是一种混杂的实践,它以发展,组织,设计和艺术展示的形式引起人们对析取和衔接的关注。它指出,该博物馆永久收藏的中国传统艺术,加上西方大师的特殊作品,正在展示出巴赫金在一种话语或两种不同语言意识之间的相遇之内,在巴赫金混合社会语言意义上的混合性。 ,在博物馆中表示。查看全文下载全文相关var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,service_compact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多” ,pubid:“ ra-4dff56cd6bb1830b”}; var addthis_config = {“ data_track_addressbar”:true,“ ui_click”:true};添加到候选列表链接永久链接http://dx.doi.org/10.1080/08949468.2011.526524

著录项

  • 来源
    《Visual Anthropology》 |2010年第2期|90-105|共16页
  • 作者

    Eva Kit-Wah Man;

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  • 正文语种 eng
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  • 入库时间 2022-08-17 13:08:27

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