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Brokering the Power of the Image

机译:经纪形象的力量

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Looking At Dozens Of Photographs for our D-day special this week, I was struck by how vividly the images caught the chaos of that famous day, a day that claimed the lives of thousands of Allied soldiers. And then I noticed something else: there are very few images that show the casualties. As it turns out, the goriest images were censored, and many pictures of American soldiers killed in combat were not allowed to be shown until later. How times have changed. Since Gulf War II began, I've looked at thousands of pictures from the battiefront. We've published dozens of them across two-page spreads, including the now famous hospital photograph of Ali, an Iraqi boy who lost both arms in a U.S. bombing. We've never tried to prettify war. Sometimes, however, I saw remarkable images that I felt were too graphic to print in TIME. Case in point: a series of photos taken last spring of U.S. soldiers carefully picking up limbs of dead Iraqis after a battle northwest of Baghdad.
机译:在本周的D日特别活动中查看数十张照片时,令我震惊的是,这些图像生动地捕捉到了那个著名日子的混乱,这一天夺去了数千名盟军的生命。然后我注意到了其他事情:几乎没有显示伤亡的图像。事实证明,最脏的图像被审查了,许多在战斗中丧生的美国士兵的照片直到后来才被允许显示。时代如何改变。自第二次海湾战争爆发以来,我已经查看了来自战场的数千张照片。我们已经在两页的跨页中发布了数十张照片,其中包括现在著名的医院照片阿里(伊拉克男孩在美国轰炸中丧生了双臂)。我们从未尝试美化战争。但是,有时候,我看到的非凡图像令人印象深刻,无法在TIME中打印出来。举个例子:去年春天,美军士兵在巴格达西北战役后,小心翼翼地捡起了死去的伊拉克人的肢体。

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