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Between exoticism and universalism: educational sections in Latin American participation at international exhibitions, 1860-1900

机译:在异国情调和普遍主义之间:1860-1900年拉丁美洲参加国际展览的教育部门

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International exhibitions provide a good arena in which to study the circulation and transfer of educational ideas and practices in the second half of the nineteenth century. Structured around themes of industry, progress, and civilisation, and defined as ephemeral museums of the new world of commodities for the consumption of the masses, they organised an economic, visual, and political order that was closely linked to the desires of European imperialism. However tempting it is to see them as unidirectional impositions of the colonial centres on peripheral countries, the history of these exhibits is much more complex and intricate than a one-way transfer. The analysis of Argentina, Brazil, and Mexico’s participation in the world fairs that took place between 1867 and 1900 shows that there were many negotiations and rewritings of these narratives at the national level. I will claim that Latin American countries had to deal with the tensions that emerged out of conflicting demands: on the one hand, they wanted to be considered civilised and progressive, which meant looking as European as possible, and on the other hand and simultaneously, their place was that of peripheral nations, often close to the colonial pavilions, and forced to display some exoticism and originality to satisfy the demands of the mass spectacle. It is interesting to note that each country produced its own response to these contradictory requests. A further claim made in this article is that these tensions were particularly felt in the educational sections, which tended to assume global forms but also had to show a degree of peculiarity. Finally, it can be concluded that one of the most important effects of the world fairs in national educational systems was not so much the import of ideas and technologies but the production of national narratives on the development of schooling and of legitimising discourses for its expansion in these countries.View full textDownload full textKeywordsinternational exhibits, Latin America, exoticism, educational borrowing, school objectsRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/00309230.2011.602351
机译:国际展览提供了一个很好的舞台,在这里可以研究19世纪下半叶教育思想和实践的传播和传播。它们围绕工业,进步和文明的主题而构建,被定义为面向大众消费的新世界的短暂博物馆,它们组织了与欧洲帝国主义的愿望紧密相关的经济,视觉和政治秩序。不管将它们看作是殖民国家对周边国家的单向强加的诱人手段,这些展览的历史都比单向转移更为复杂和复杂。对阿根廷,巴西和墨西哥在1867年至1900年之间参加的世界博览会的分析表明,在国家层面上对这些叙述进行了许多谈判和重写。我要说的是,拉丁美洲国家必须应对因相互矛盾的需求而出现的紧张局势:一方面,他们希望被视为文明和进步的,这意味着要尽可能地看起来像欧洲,另一方面,同时,他们的位置是周边国家的位置,通常靠近殖民地展馆,被迫展示一些异国情调和独创性以满足群众的需求。有趣的是,每个国家对这些矛盾的要求都做出了自己的回应。本文的另一个主张是,这些紧张关系在教育部门尤其明显,它们倾向于呈现全球性形式,但也必须表现出一定程度的特殊性。最后,可以得出结论,世博会对国家教育系统的最重要影响之一,不是输入思想和技术,而是产生有关发展学校教育和使其发展合法化的话语的国家叙述。这些国家/地区。全文下载关键字国际展览,拉丁美洲,异国情调,教育借款,学校物品stumbleupon,digg,google,more“,pubid:” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/00309230.2011.602351

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  • 来源
    《Paedagogica Historica》 |2011年第5期|p.601-617|共17页
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    Inés Dusselab*;

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  • 入库时间 2022-08-18 00:54:43

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