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Contemporary Re-emergence of the Qipao: Political Nationalism, Cultural Production and Popular Consumption of a Traditional Chinese Dress

机译:旗袍的当代再现:政治民族主义,文化生产和中国传统服饰的大众消费

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摘要

The qipao ceased to be worn for everyday occasions after the 1950s in the PRC and the late 1960s in Hong Kong, Taiwan and Singapore. But it has powerfully re-emerged in the last few years. This is puzzling considering the swiftness and broad scale of the re-emergence, and the qipao's recent history of being marginalized. Are the political and cultural elites responsible and what motivated them? Besides political and cultural nationalism, are there other reasons that have led a large number of people to resume wearing the qipao? This study finds that the state did not play a significant role in the qipao's re-emergence, that cultural producers and celebrities contributed much to it, and that the symbolic meanings of the modern historical qipao have been repackaged and now cater to a variety of consumers for very different reasons.
机译:1950年代后的中国以及香港,台湾和新加坡的1960年代后期,不再使用旗袍。但是在最近几年中,它已经有力地重新出现了。考虑到重新崛起的迅速和广泛的规模,以及旗袍最近被边缘化的历史,这令人费解。政治和文化精英是负责任的,是什么激发了他们?除了政治和文化民族主义之外,还有其他原因导致许多人重新穿上旗袍吗?这项研究发现,国家在旗袍的重新崛起中没有发挥重要作用,文化生产者和名人对此做出了很大贡献,现代历史旗袍的象征意义已经重新包装,现在可以满足各种消费者的需求出于非常不同的原因。

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  • 来源
    《The China quarterly》 |2007年第189期|p.144-161|共18页
  • 作者

    Matthew Chew;

  • 作者单位

    Sociology department of the Baptist University of Hong Kong;

  • 收录信息
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 D73;
  • 关键词

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