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Filming the Everyday: Independent Documentaries in Twenty-First Century China

机译:拍摄日常:二十一世纪中国的独立纪录片

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摘要

Wu Wenguang is independent Chinese documentary's great survivor. His immediate contemporaries from the 1990s have largely moved into television production, while younger directors committed to filmmaking outside the state media system increasingly find themselves forced to move outside mainland China to survive. But Wu is still working in a distinctly non-commercial manner, and remains based in Beijing. Since 2010, his focus has been a large-scale, participatory filmmaking exercise dedicated to uncovering and recording experiences of China's Great Famine (1958-1961). This venture is known colloquially as the Memory Project, and it lies at the heart of this edited collection.
机译:吴文光是中国独立纪录片的伟大幸存者。从1990年代起,他的近代人基本上已转向电视制作,而致力于在国家媒体系统之外进行电影制作的年轻导演越来越发现自己被迫搬到中国大陆以外地区生存。但是,吴仍然以明显的非商业方式工作,并且仍留在北京。自2010年以来,他一直致力于大型参与式电影摄制活动,致力于发现和记录中国的《大饥荒》(1958-1961)。该项目俗称“记忆项目”,它是此编辑过的作品集的核心。

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  • 来源
    《The China quarterly》 |2017年第232期|1144-1146|共3页
  • 作者

    LUKE ROBINSON;

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