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Keep up appearances

机译:保持露面

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摘要

Quinlan Terry may be best known as the architect of hand-crafted town and country houses - he has recently completed the last of six extraordinary villas on the edge of Regent's Park, a project that extends back into the 1980s - but he is no stranger to the world of office development. Twenty years ago, he was responsible for a six-storey commercial block at Dufour's Place in London's Soho. The far larger mixed-use development (apartments, offices, shops and restaurants) at Richmond Riverside followed in 1984-87. Coinciding as it did with the high point of the Prince of Wales' architectural- campaigning, the scheme was controversial, being variously represented as a restatement of civilised architectural and urban values or part of a conspiracy to destroy modern architecture. Terry saw commercial work as 'an opportunity and a challenge today to approach each new problem from old principles rather than from a childish desire to produce an elevation hitherto unknown'. He has no time for the Modernist tradition, of course, but he is essentially a pragmatic architect who is less concerned with remaking society than responding to a client's brief. For Haslemere Estates, the client at Richmond, his work turned out to be a sound investment (though the development is now so popular than any future attempt to redevelop the site would surely be doomed to failure).
机译:昆兰·特里(Quinlan Terry)可能是最著名的手工城镇和乡村房屋建筑师-他最近完成了摄政公园(Regent's Park)边缘的六座非凡别墅的最后一个项目,该项目可追溯到1980年代-但他并不陌生办公室发展的世界。二十年前,他负责伦敦Soho的Dufour's Place的六层商业街区。 1984-87年,紧随其后的是列治文河畔的大型综合用途开发项目(公寓,办公室,商店和餐馆)。与威尔士亲王的建筑运动的高潮相吻合的是,该计划引起了争议,它被不同地表示为对文明建筑和城市价值的重述,或者是破坏现代建筑的阴谋的一部分。特里将商业工作视为“今天是从旧原则而不是幼稚的产生前所未有的海拔高度的幼稚愿望中解决每个新问题的机会和挑战”。当然,他没有时间接受现代主义的传统,但本质上他是一位务实的建筑师,他不关心改造社会,而是回应客户的要求。对于列治文的客户Haslemere Estates而言,他的工作证明是一项合理的投资(尽管现在的开发如此受欢迎,比将来任何重新开发该站点的尝试都注定要失败)。

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