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Critic's Choice Poor presentation lets down a book about an inspirational 'gardener', says Andrew Mead

机译:评论家的评论家的“选择差”演讲使一本关于励志“园丁”的书黯然失色。

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Gilles Clement, who describes himself as 'a gardener and writer', made his name as one of the design team for Pare Andre Citroen on the outskirts of Paris in the early 1990s. Subsequent projects in his native France include two more gardens in the capital: one in the vicinity of Johann Otto von Spreckelsen's Grande Arche at La Defense, which colonises wasteland created by aborted construction schemes (see below), and the other for Jean Nouvel's Quai Branly Museum. A monograph in English on his work is overdue and Planetary Gardens: The Landscape Architecture of Gilles Clement (Birkhauser, £46.90) fills the gap - though not quite as convincingly as it should. What Clement seeks is the antithesis of the bland formalism that seems to be the corporate norm when it comes to landscape design -solutions plucked from a catalogue with little reference to site.
机译:自称“园丁和作家”的吉尔·克莱门特(Gilles Clement)在1990年代初成为巴黎郊区安德烈·雪铁龙(Pare Andre Citroen)的设计团队之一。随后在他的祖国法国进行的项目包括在首都再建两个花园:一个在约翰·奥托·冯·斯普雷克尔森在拉德芳斯的大拱门附近,该花园殖民了因中止的建筑计划而造成的荒地(见下文),另一个在让·努维尔的奎伊·布兰利博物馆。关于他的工作的英文专着已经过期,《行星花园:吉尔斯·克莱门特的风景园林》(伯尔卡瑟,46.90英镑)填补了这个空白,尽管没有说服力那么令人信服。克莱门特寻求的是平淡的形式主义的对立面,它在景观设计方面似乎是公司的规范-从目录中抽取的解决方案很少涉及现场。

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