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首页> 外文期刊>Television & new media >From The Simpsons to 'The Simpsons of the South Pacific;: New Zealand's First Primetime Animation, bro'Town
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From The Simpsons to 'The Simpsons of the South Pacific;: New Zealand's First Primetime Animation, bro'Town

机译:从“辛普森一家”到“南太平洋的辛普森一家;:新西兰首个黄金时段动画,bro'Town

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摘要

New Zealand's first primetime animated program, bro'Town, ran successfully for five seasons between 2004 and 2009. Described by its creators as a "modern-day non-PC satire," bro'Town focuses on five New Zealand teenagers of Samoan and Maori ethnicities growing up in Auckland. While the program was promoted as "The Simpsons of the South Pacific," its audience, critics, and politicians have celebrated it as a twenty-first-century New Zealand creative success story.This article explores the historical, cultural, and economic forces that have shaped bro'Town in the context of the debates on media globalization using the framework of hybridity as "the cultural logic of globalization" as well as the framework of global television formats. The authors suggest that broTown represents a complex case of television program adaptation and provides a unique case study to examine the multilayered nature of contemporary hybrid cultural forms moving beyond the simplistic local-global dyad.
机译:新西兰的第一个黄金时段动画节目bro'Town在2004年至2009年成功运行了五个赛季。其创作者将其描述为“现代非PC讽刺作品”,bro'Town专注于五个萨摩亚和毛利人的新西兰少年在奥克兰长大的种族。虽然该计划被宣传为“南太平洋的辛普森一家”,但它的听众,评论家和政界人士都将其庆祝为二十一世纪新西兰创造性的成功故事。本文探讨了造成这种情况的历史,文化和经济力量在关于媒体全球化的辩论中,使用混合框架(即“全球化的文化逻辑”)和全球电视格式框架塑造了Bro'Town。作者认为,broTown代表了电视节目改编的复杂案例,并提供了独特的案例研究,以检验当代混合文化形式超越简单的本地-全球二元化的多层性质。

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