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SOME EARLY FINNISH ART COLLECTORS IN THE LIGHT OF NEW SOURCES

机译:从新资源看一些早期的芬兰艺术收藏家

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In previous Finnish collection studies, early Finnish art collections have mainly been observed through European examples, using German or English collecting or museum-historical literature. The history of art collecting in Russia identifies several identifiable phases of art collecting, and breeds of art collectors, that coexisted in Finnish early art collecting. In this study, the prevailing circumstances and the collectors' archetypes of Imperial Russia, of which Finland was an integral part in the period of autonomy, are considered through previously unapplied literature of Russian collecting and museum history in Finnish collection studies. Central to this are two case examples from early Finnish art collecting, with related unpublished archival material. On the whole, some of the current Finnish paradigms of the initial stages of art collecting in Finland are questioned, emphasizing, for example, the meaning of the social network, pivotal for the maturation of the collector and for the selection of subjects for collecting.
机译:在以前的芬兰收藏研究中,主要是通过欧洲的实例来观察早期的芬兰艺术收藏,使用德国或英国的收藏或博物馆历史文献。俄罗斯的艺术收藏历史确定了几个可识别的艺术收藏阶段,以及芬兰早期艺术收藏中共存的各种艺术收藏家。在这项研究中,通过在俄国收藏研究中未曾使用过的俄罗斯收藏文献和博物馆历史来考虑帝国时代的普遍情况和收藏家的原型,其中芬兰是自治时期不可或缺的一部分。这方面的核心是两个来自芬兰早期艺术收藏的案例,以及相关的未出版档案材料。总体而言,人们对芬兰目前在艺术品收藏初期的一些范式提出了质疑,例如强调了社交网络的意义,这对于收藏家的成熟和收藏对象的选择至关重要。

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