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Scene stealer

机译:抢镜的演员

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摘要

Theatres are challenging and interesting to design as they have specific and onerous functional and technical requirements, while their purpose is to reflect human expression. In a theatre, especially one full of children, there are inevitably ambiguities about what performance means. Keith Williams Architects has successfully played with this, from concept to concrete reality. This new theatre provides a permanent home for the previously nomadic Unicorn Children's Theatre Company. It fits well into a burgeoning thoroughfare of London's South Bank, on the corner of Tooley Street and the serendipitously named Unicorn Passage. The latter cuts a path to the Thames past Foster and Partners' crisp new commercial development, which is rapidly taking shape to the north. The Unicorn is a stand-alone building, like most of its sizeable neighbours, which make the Tower of London, framed in the distance, look like an out-of-scale toy.
机译:剧院具有特殊而繁重的功能和技术要求,而设计的目的是反映人类的表达,因此具有挑战性且设计有趣。在剧院里,尤其是满是孩子的剧院里,表演的意义不可避免地含糊不清。从概念到实际,基思·威廉姆斯(Keith Williams)建筑师都成功地发挥了作用。这个新剧院为以前游牧的独角兽儿童剧院公司提供了永久的住所。它非常适合伦敦南岸的新兴道路,就在Tooley街和偶然命名的Unicorn Passage的拐角处。后者开辟了通往泰晤士河的道路,经过了福斯特和合伙人的崭新商业发展,而北方正在迅速成形。独角兽是一个独立的建筑,就像它的大部分邻里一样,使远方包围的伦敦塔看起来像是一个过大的玩具。

著录项

  • 来源
    《RIBA Journal》 |2006年第1期|p.28-3436|共8页
  • 作者

    Clare Wright;

  • 作者单位

    Wright and Wright Architects;

  • 收录信息
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 建筑科学;
  • 关键词

  • 入库时间 2022-08-18 00:22:22

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