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Foreign entry, quality, and cultural distance: product-level evidence from US movie exports

机译:外国入境,质量和文化距离:来自美国电影出口的产品级证据

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This paper investigates the effect of quality on foreign entry using data on international movie exports and direct and revealed measures of movie quality. Strict quality sorting is predicted by a model of firm heterogeneity. An alternative model is random entry, in which entry decisions are independent of the movie's quality. I develop a discrete choice model that allows for both of these extremes as special cases, and use graphical techniques and simulations to compare their predictions to the data. I then use regression analysis to estimate the effect of quality on the propensity to enter foreign markets. A one-standard-deviation increase in quality increases the probability of entry by 25-50 %. Systematic differences in taste for different genre types are used to estimate a measure of cultural distance between countries. Movies in "culturally dependent" genres are less likely to enter foreign markets and their probability of entry is less sensitive to quality. The cultural distance measure enters a gravity equation of US bilateral trade significantly.
机译:本文使用国际电影出口数据以及电影质量的直接和揭示量度来研究质量对外国入境的影响。严格的质量排序是由企业异质性模型预测的。另一种模型是随机进入,其中进入决定与电影的质量无关。我开发了一个离散选择模型,将这两种极端情况都作为特殊情况考虑在内,并使用图形技术和模拟将其预测与数据进行比较。然后,我使用回归分析来评估质量对进入国外市场的倾向的影响。质量每增加一个标准偏差,进入的可能性就会增加25-50%。不同流派类型的品味系统差异被用来估算国家之间文化距离的度量。具有“文化依赖性”类型的电影进入国外市场的可能性较小,并且其进入的可能性对质量也不太敏感。文化距离测度明显地进入了美国双边贸易的引力方程。

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