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Radio drama as a tool for activism in South Africa: The case of Plague in the Time of King Kapital and Queen Corona

机译:无线电戏剧作为南非的激进主义的工具:在Kapital和Keen Corona王时期瘟疫的情况

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How can sound be utilized as a tool for political conscientization? COVID-19 has disrupted face-to-face organizing tactics for progressive movements globally, making it necessary to branch out to more mediated forms of grassroots political organizing. In this article, we explore howsound might be employed to invoke an imagined working-class community across ethnic, gender and generational divides against a backdrop of crisis and corruption on the structural level. Through a close listening of a South African radio drama, Plague in the Time of King Kapital and QueenCorona (KKQC), we find that the use of sound enables a worldmaking that is both attuned to structural inequities and imagines a utopian, solidaristic working-class community. KKQC offers a case of worldbuilding and political conscientization through radio drama that is relevantto understanding the possibilities of the genre in the contemporary South African context.
机译:声音如何用作政治征征的工具? Covid-19已经扰乱了全球渐进运动的面对面组织策略,使得有必要分支到更多介导的基层政治组织形式。 在本文中,我们探讨了可能会受雇,以跨越民族,性别和世代划分的想象的工人阶级社区,并在结构层面的危机和腐败的背景下。 通过密切聆听南非无线电剧,在Kapital和Queencorona(kkqc)的时候瘟疫,我们发现声音的使用使其能够调整到结构性的不公平,并想象一个乌托邦,团结工作班 社区。 KKQC通过无线电剧提供了一个世界建设和政治征集的案例,这些无线电剧本了解当代南非背景中类型的可能性。

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