【24h】

Data

机译:数据

获取原文
获取原文并翻译 | 示例
       

摘要

With the rapid growth in data on HF, perhaps it is time to rethink the band planning issues and where we should operate in the bands. Peter Martinez, G3PLX, has been thinking about this issue and he writes: "Traditionally, the HF amateur bands have been divided into SSB/voice at the top end and CW/digital at the bottom. In the early days, this was probably done so that operators on the different modes could find each other easily. By coincidence, it's always been the case that SSB is about 3kHz wide and CW/digital modes have always been much narrower. The popularity of PSK31, as the narrowest of the digital modes, has reinforced this idea that digital modes are narrow. Nowadays, the separation between voice and digital modes is not so much about concentrating activity where it can easily be found, but serves the purpose of minimising the interference which would be inevitable if modes of different widths were constrained to share the same part of the bands. However, the way things are at the moment, the wording of the bandplans is such that the division is between 'voice' and 'digital', not between 'wide' and 'narrow'.
机译:随着HF数据的快速增长,也许是时候重新考虑频段规划问题以及我们应该在频段中开展业务的时候了。 G3PLX的彼得·马丁内斯(Peter Martinez)一直在思考这个问题,他写道:“传统上,HF业余乐队分为高端的SSB /声音和底部的CW /数字。在早​​期,这很可能做到了巧合的是,通常SSB约为3kHz宽,而CW /数字模式则一直很窄。PSK31是最窄的数字模式如今,语音和数字模式之间的分离已不再是集中于容易找到活动的活动,而是旨在将干扰最小化,如果不同模式之间的干扰是不可避免的宽度被限制为共享频带的相同部分,但是,按目前的方式,频带规划的措词是“声音”和“数字”之间的划分,而不是“宽”和“窄”之间的划分'。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号