Real Art, War Art, and the Politics of Peace Memorials in the United States after World War I

Jennifer Wingate

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Real Art, War Art, and the Politics of Peace Memorials in the United States after World War I

机译：第一次世界大战后的美国真实艺术，战争艺术和和平纪念政治

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The virtual absence of stridently pacifist imagery in World War I memorials testifies to the deep divisions and turbulent debates that marked the post-war period. Some sculptors nevertheless stood by their pacifist convictions by refusing to make memorials that extolled the virtues of war. Others found ways to avoid openly anti-war themes while at the same time satisfying their desire to rise above patriotic propaganda. The resulting memorials, though, with a few significant exceptions, proved tame. Rather than perpetuate the belligerent model or explicitly critique war and patriotic motherhood, artists like Daniel Chester French, Augustus Lukeman, Carl Paul Jennewein, and Pietro Montana found ways to express conservative pacifist ideals or transcend the brutal reality of war by focusing on spiritual themes. They relied on ambiguity to show sympathy with those who suffered war's cruelties. Strong anti-war statements in public commemorative art of the interwar period, like Bashka Paeff's Sailors' and Soldiers' Memorial in Kittery, Maine, dedicated in 1926, were the exception rather than the rule.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/21502552.2012.717822

机译：第一次世界大战纪念馆中几乎没有明显的和平主义者形象，这证明了标志着战后时期的深刻分歧和动荡的辩论。尽管如此，一些雕塑家仍然坚持和平主义的信念，拒绝留下纪念战争美德的纪念馆。其他人则找到了避免公开反战主题的方法，同时又满足了他们超越爱国宣传的愿望。最终的纪念馆，除了少数重要的例外，被证明是驯服的。丹尼尔·切斯特·法文，奥古斯都·卢克曼，卡尔·保罗·詹内温和彼得罗·蒙大拿州等艺术家没有延续好战的模式或明确批评战争和爱国的母性，而是通过关注精神主题找到表达保守主义和平主义者理想或超越战争残酷现实的方法。他们依靠模棱两可对那些遭受战争残酷折磨的人表示同情。两次世界大战期间的公共纪念活动中有强烈的反战言论，例如1926年缅因州缅因州基什蒂的巴什卡·帕夫（Bashka Paeff）的《水手们》和士兵纪念馆，是例外而不是规则。查看全文下载全文相关的var addthis_config = {ui_cobrand ：“ Taylor＆Francis Online”，services_compact：“ citeulike，netvibes，twitter，technorati，delicious，linkedin，facebook，stumbleupon，digg，google，more”，pubid：“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/21502552.2012.717822

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《Public Art Dialogue》 |2012年第2期|p.162-189|共28页
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Real Art, War Art, and the Politics of Peace Memorials in the United States after World War I

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