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Blue-Eyed Soul Performers before and after the Wicked Pickett and Lady Soul: A Bio-Bibliography and Discography

机译:邪恶的Pickett和Lady Soul之前和之后的蓝眼睛灵魂表演者:生物书目和唱片目录

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This bibliographic and discographic compilation depicts twentieth-century participation by white recording artists in musical realms generally associated with black performers. The '60s term “blue-eyed soul” is expanded to include white male and female vocalists, instrumentalists, composers, lyricists, arrangers, and promoters who not only warmly embraced various genres of black music, admired and sometimes performed with black artists, emulated black vocal styling and phrasing, and often covered black songs—but also clearly established themselves as distinctive recording artists with audience crossover skills and strong preferences for R&B and soulful sounds. From the Boswell Sisters and Johnny Otis through Bonnie Raitt and Curtis Salgado, blue-eyed soul performers have thrived and produced a diverse, dazzling array of commercial recordings.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/03007760903086235
机译:此书目和唱片汇编描述了二十世纪白人唱片发行人参与通常与黑人表演者有关的音乐领域。 60年代的术语“蓝眼睛的灵魂”扩展到包括白人男性和女性歌手,器乐演奏者,作曲家,作词人,编曲者和促进者,他们不仅热情地接受了各种流派的黑音乐,而且欣赏甚至有时用黑音乐进行表演。歌手模仿黑色人声的风格和措辞,经常翻唱黑色歌曲,但显然也将自己确立为与众不同的唱片艺术家,他们具有听众交叉的技巧,并且强烈喜欢R&B和深情的声音。从Boswell Sisters和Johnny Otis到Bonnie Raitt和Curtis Salgado,蓝眼睛的灵魂表演者欣欣向荣,并制作了各种令人眼花commercial乱的商业唱片。查看全文下载全文相关的var addthis_config = services_compact:“ citeulike,netvibes,twitter,technorati,美味,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/03007760903086235

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