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CHINESE FANS OF JAPANESE AND KOREAN POP CULTURE: Nationalistic Narratives and International Fandom

机译:日本粉丝和韩国流行文化:民族主义叙事与国际粉丝

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摘要

Popular cultures of East Asia have seen phenomenal developments in the past few decades, garnering increased attention from scholars based in various regions and disciplines. Joining this dynamic body of scholarship, Lu Chen's book Chinese Fans of Japanese and Korean Culture: Nationalistic Narratives and International Fandom makes a timely contribution to the field by connecting cultural studies with a critical interrogation of grassroots nationalism shaped by transnational fandom. This new investigation challenges the conventional wisdom that transnational circulation and consumption of global commodities will break down national barriers and cultivate a cosmopolitan vision among young consumers. Consisting of a brief introduction and eight chapters, this book focuses on a case study of Chinese fans' reception of Japanese and South Korean cultural products to shed new light on the intriguing entanglements of consumerism and patriotism in an age characterized by the seemingly impossible marriage of capital globalization and populist nationalism. While the inflow of foreign cultural products has attracted a large following of Chinese fans, their reactions to Japanese and South Korean popular culture have fluctuated with the shifting economic and diplomatic relationships between the three East Asian countries. Following this thread of inquiry, the short introductory chapter raises the central question of the book, that is "how Chinese fans of Japanese and Korean popular culture have formed their own nationalistic discourse since the 1990s" (1-2). Chapter 1 then offers a literature review of the existing scholarship on the intersection of popular culture, soft power, cultural imperialism, and nationalism. Chen adopts the central concept of "fan labor," which refers to "the immaterial labor consisting of obtaining information and interpreting texts that are esteemed by fans," to connect the in-depth analyses of "macro-structure and micro-behavior of individual participation" in the formation of the nationalist discourse (19).
机译:过去几十年来,东亚的流行文化已经看到了惊人的发展,从各个地区和学科的学者加强了更多的关注。加入这一动态奖学金,陆辰的日本和韩国文化的粉丝:民族主义的叙述和国际粉丝通过连接文化研究,通过跨国粉丝形状的基层民族主义的批判性审讯来及时对该领域贡献。这项新调查挑战了跨国流通和全球商品消费的传统智慧将破坏国家障碍,并在年轻消费者中培养一个国际化的愿景。本书由简要的介绍和八章组成,本书侧重于中国粉丝们的日本和韩国文化产品的案例研究,以阐述了消费主义和爱国主义的兴趣纠缠,其特征在于看似不可能婚姻的年龄资本全球化与民族主义。虽然外国文化产品的流入吸引了中国粉丝的大量追随者,但他们对日本和韩国流行文化的反应波动随着三个东亚国家之间的改变经济和外交关系而波动。在此询问线程之后,短介绍性章节提出了这本书的核心问题,即自20世纪90年代以来,“日本和韩国民众文化的粉丝”(1-2)是如何形成自己的民族主义话语。第1章随后提供了对流行文化,软权,文化帝国主义和民族主义交叉口的现有奖学金的文献综述。陈采取“粉丝劳动”的中心概念,这是指“由粉丝尊重的信息和解释文本,”无论是由粉丝尊重的信息和解释文本,“连接”宏观结构和个人的微观行为“参与“在民族主义话语的形成(19)。

著录项

  • 来源
    《Pacific Affairs》 |2019年第2期|321-323|共3页
  • 作者

    Hui Faye Xiao;

  • 作者单位

    University of Kansas Lawrence USA;

  • 收录信息
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-18 22:07:24

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