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CHINESE FANS OF JAPANESE AND KOREAN POP CULTURE: Nationalistic Narratives and International Fandom

机译:中国日本人和韩国流行文化的爱好者:民族主义叙事和国际同伴

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摘要

Popular cultures of East Asia have seen phenomenal developments in the past few decades, garnering increased attention from scholars based in various regions and disciplines. Joining this dynamic body of scholarship, Lu Chen's book Chinese Fans of Japanese and Korean Culture: Nationalistic Narratives and International Fandom makes a timely contribution to the field by connecting cultural studies with a critical interrogation of grassroots nationalism shaped by transnational fandom. This new investigation challenges the conventional wisdom that transnational circulation and consumption of global commodities will break down national barriers and cultivate a cosmopolitan vision among young consumers. Consisting of a brief introduction and eight chapters, this book focuses on a case study of Chinese fans' reception of Japanese and South Korean cultural products to shed new light on the intriguing entanglements of consumerism and patriotism in an age characterized by the seemingly impossible marriage of capital globalization and populist nationalism. While the inflow of foreign cultural products has attracted a large following of Chinese fans, their reactions to Japanese and South Korean popular culture have fluctuated with the shifting economic and diplomatic relationships between the three East Asian countries. Following this thread of inquiry, the short introductory chapter raises the central question of the book, that is "how Chinese fans of Japanese and Korean popular culture have formed their own nationalistic discourse since the 1990s" (1-2). Chapter 1 then offers a literature review of the existing scholarship on the intersection of popular culture, soft power, cultural imperialism, and nationalism. Chen adopts the central concept of "fan labor," which refers to "the immaterial labor consisting of obtaining information and interpreting texts that are esteemed by fans," to connect the in-depth analyses of "macro-structure and micro-behavior of individual participation" in the formation of the nationalist discourse (19).
机译:在过去的几十年中,东亚的流行文化得到了惊人的发展,吸引了来自不同地区和学科的学者越来越多的关注。陆震的著作加入了这一充满活力的学术体系,将文化研究与由跨国同伴形成的对草根民族主义的批判性联系联系起来,从而为该领域做出了及时的贡献,这本书包括了《日韩文化的中国迷:民族主义叙事和国际同伴》。这项新的调查挑战了传统观念,即跨国流通和全球商品消费将打破国家壁垒,并在年轻消费者中树立国际化的视野。本书由简介和八章组成,重点研究了中国粉丝对日本和韩国文化产品的接受情况,以揭示在一个看似不可能的婚姻的时代,消费主义和爱国主义的迷人纠结得到了新的启示。资本全球化和民粹主义民族主义。尽管外国文化产品的流入吸引了大量中国粉丝,但随着三个东亚国家之间经济和外交关系的变化,他们对日本和韩国流行文化的反应也有所波动。遵循这一探究线索,简短的介绍性章节提出了本书的中心问题,即“日本和韩国的流行文化的中国粉丝如何自1990年代以来就形成了自己的民族主义话语”(1-2)。然后,第1章提供了有关流行文化,软实力,文化帝国主义和民族主义相交的现有奖学金的文献综述。陈采用“风扇劳动”的中心概念,即“由获得风扇拥护的信息和解释文字组成的非物质劳动”,以对“宏观结构和结构”进行深入分析。个人参与民族主义话语形成的微观行为(19)。

著录项

  • 来源
    《Pacific Affairs》 |2019年第2期|321-323|共3页
  • 作者

    Hui Faye Xiao;

  • 作者单位

    University of Kansas, Lawrence, USA;

  • 收录信息
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-18 04:26:39

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