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In the U.S. at mid-century, poverty carried "a special frustration," Newsweek wrote, because "to be poor in America today is to be out of step with the nation, a stranger in paradise, a frequently faceless member of an alien culture." Society had finally "attained the technological resources to wipe out poverty," yet those advancements were the very things "aggravating the plight" of the have-nots. Over 50 years later, with poverty affecting over 11.5 million American children and looming anxieties about artificial intelligence, technology has taken that "special frustration" and raised it. William Friedkin's massive hit The Exorcist "brought into frenzied focus the underground anxieties, fantasies and fears that have lately broken through the surface of contemporary society," Newsweek wrote. The "rare and dying art" of exorcism tapped into that confusion, raising "starkly fundamental questions of good and evil."
机译:《新闻周刊》写道,在本世纪中叶的美国,贫困带来了“一种特殊的挫败感”,因为“今天在美国,穷人与这个天堂里的一个陌生人,常常是不露面的成员-不合时宜。 “社会终于获得了消灭贫穷的技术资源,”但是这些进步正是“加剧贫困者的困境”的本质。 50多年后,由于贫困影响了超过1,150万美国儿童,并且对人工智能的担忧日益凸显,技术使这种“特殊的挫败感”得到了解决。威廉·弗里德金(William Friedkin)的巨著《驱魔人》“引起了人们对地下焦虑,幻想和恐惧的狂热关注,这些焦虑和幻想最近已经突破了当代社会的面貌,”《新闻周刊》写道。驱魔的“稀有和垂死的艺术”陷入了这种混乱之中,引发了“关于善与恶的根本性问题”。

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    《Newsweek》 |2019年第5期|4-4|共1页
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  • 收录信息 美国《化学文摘》(CA);
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