La picaresca y la manifestación del pícaro, anti héroe y súper anti héroe

摘要

This article analyzes the figure and identity of the pícaro taking under consideration the possibilities of misinterpretation and over-interpretation points-of-view. Therefore, with the help of detailed lists of features and characters, this work described recurrent errors in many of the works on this subject, meaning, demonstrating a limited perspective from one hand or false use of the picaresque figure from another. The analysis tries to maintain a broader classification to the question of what is the picaresque. The second Lazarillo and La Lozana Andalusa are prime examples, the first as the quintessential picaresque model and second as a pre-picaresque work. Following the example of the second Lazarillo also raises the question of the transformation or metamorphosis of the figure of the anti-hero or in this case what I call the super anti-hero.