Trust puts the self on show

摘要

A maze of corridors winds through featureless partition walls, adorned only by mirrors ranging from the exotic (Etruscan artefacts from the collection of Sigmund Freud) and the surreal (a digital 'time-lapse' mirror in which one's past movements materialize belatedly, like a ghost) to the banal (a cheap, plastic shaving mirror once belonging to actor Michael York). The corridors feed into eight rooms, each exploring an aspect of the knotty question of who we are.