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State, identity, and the politics of music: Eurovision and nation-building in Azerbaijan

机译:音乐的状态,身份和政治:欧洲电视网和阿塞拜疆的国家建设

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Albeit often - and fairly - degraded in the world of high culture as a populist and politicized representation of music, the Eurovision Song Contest (ESC) - by sheer virtue of the populist and politicized nature of its essence - stands among the most consequential cultural encounters to which post-independence Azerbaijan has been exposed, in that the extent to which Baku's victory in the ESC-2011 - and the further developments this victory has generated - can potentially impact on, and contribute to, the very process of nation-building and national identity formation, with which this post-Soviet Muslim-majority country is currently struggling, is unparalleled by any of the state's earlier encounters of the kind. This paper focuses on, and examines, four intimately related ways in which the ESC and Azerbaijan's successful involvement with the latter worked to interfere with the country's nation-building: as a dubious factor in the evolution of the Western sense of self among Azerbaijanis; as a unifying force within the structure of the country's rapidly maturing civil society; as a medium working to open up a channel through which Western popular cultural elements could interfere with the evolving dynamics of, and work to globalize, indeed de-endogenize, indigenous Azerbaijani culture, on one hand, and unify the discursive realm within which the country's cultural domain is to further evolve, on the other; and, finally, as an important element serving to decouple the evolving processes within the country's cultural domain from the unfolding dynamics of conflict settlement and hence conducive to the diversification of public discourse in Azerbaijan.View full textDownload full textKeywordsAzerbaijan, Eurovision, politics of music, national identity, culture, cultural diplomacy, civil societyRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/00905992.2012.742990
机译:欧洲歌唱大赛(ESC)尽管在高文化的世界中经常-并且相当地退化为音乐的民粹主义和政治化代表,但凭借其本质的民粹主义和政治化性质,它却是最重要的文化遭遇之一独立后的阿塞拜疆曾暴露于此,巴库在ESC-2011上的胜利以及这一胜利所产生的进一步发展可能在多大程度上影响并有助于国家建设和发展的进程。这个后苏联占多数的穆斯林国家目前正在与之斗争的民族认同形成,是该州较早遇到的任何此类事件所无法比拟的。本文着重研究了与ESC和阿塞拜疆成功地介入后者的四种密切相关的方式,以干扰该国的国家建设:这是西方自我意识在阿塞拜疆人中演变的一个可疑因素;作为该国迅速成熟的公民社会结构中的统一力量;作为一种媒介,一方面开辟了一条渠道,西方流行文化元素可以以此渠道干预阿塞拜疆土著文化的发展动态,并努力使其全球化,甚至真正使其内生化,并一方面统一该国的话语领域。另一方面,文化领域将进一步发展;最后,作为使该国文化领域内不断发展的进程与冲突解决的不断发展的动力脱钩的重要因素,因此有利于阿塞拜疆公共话语的多样化。查看全文下载全文关键字阿塞拜疆,欧洲电视网,音乐政治,国家身份,文化,文化外交,公民社会相关var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,pubid :“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/00905992.2012.742990

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