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Competing with Free: The Impact of Movie Broadcasts on DVD Sales and Internet Piracy

机译:与免费竞争:电影广播对DVD销售和互联网盗版的影响

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The creative industries have frequently expressed concern that they can't compete with freely available copies of their content. Competing with free is particularly concerning for movie studios, whose content may be more prone to single-use consumption than other industries such as music. This issue has gained renewed importance recently with the advent of new digital video recording and distribution technologies, and the widespread availability of Internet piracy.rnWe examine competition between "free " and paid video content in two important contexts: the impact of legitimate freerndistribution in one channel on sales through paid channels, and the impact of illegitimate free distribution in pirated channels on sales through paid channels. We do this by studying the impact of movie broadcasts onD VD demand and the impact of piracy availability at the time of broadcast on DVD demand. Our data include all movies shown on over-the-air and cable television during an eight-month period in 2005-2006.rnWith respect to the impact of movie broadcasts on piracy and sales, we find that movie broadcasts on over-the-air networks result in a significant increase in both DVD sales at Amazon, com and illegal downloads for those movies that are available on BitTorrent at the time of broadcast. With respect to the impact of piracy on sales, we use the television broadcast as an exogenous demand shock and find that the availability of pirated content at the time of broadcast has no effect on post-broadcast DVD sales gains.rnTogether our results suggest that creative artists can use product differentiation and market segmentation strategies to compete with freely available copies of their content. Specifically, the post-broadcast increase in D VD sales suggests that giving away content in one channel can stimulate sales in a paid channel if the free content is sufficiently differentiated from its paid counterpart. Likewise, our finding that the presence of pirated content does not cannibalize sales for the movies in our sample suggests that if free and paid products appeal to separate customer segments, the presence of free products need not harm paid sales.
机译:创意产业经常表示担心,他们无法与内容的免费副本竞争。对于电影制片厂来说,与免费竞争尤为重要,因为电影制片厂的内容可能比音乐等其他行业更易于一次性使用。随着新的数字视频录制和发行技术的出现以及互联网盗版的广泛普及,这个问题最近变得越来越重要。我们在两个重要的背景下研究了“免费”和付费视频内容之间的竞争:合法自由发行的影响渠道通过付费渠道进行销售,以及盗版渠道中非法免费分销对通过付费渠道进行销售的影响。为此,我们研究了电影广播对D VD需求的影响以及广播时对DVD需求的盗版可用性的影响。我们的数据包括2005-2006年的八个月中通过空中广播和有线电视播放的所有电影。rn关于电影广播对盗版和销售的影响,我们发现电影广播是通过空中广播网络导致在Amazon,com上DVD销量的大幅增长,以及广播时在BitTorrent上提供的那些电影的非法下载的大幅增加。关于盗版对销售的影响,我们将电视广播用作外部需求冲击,发现在广播时盗版内容的可用性对广播后DVD的销售收益没有影响。艺术家可以使用产品差异化和市场细分策略来与内容的免费副本竞争。具体地说,广播后D VD销量的增长表明,如果免费内容与付费内容有足够的区别,则在一个频道中放弃内容可以刺激付费频道中的销量。同样,我们发现盗版内容的存在并不会蚕食我们样本中电影的销售量,这表明,如果免费和付费产品吸引单独的客户群,则免费产品的存在并不会损害付费销售。

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