This article examines the philosophy of Gilles Deleuze (especially Cinema) and the poetry of Arthur Rimbaud in terms of the intersection between corporeality, temporality, and the political. The first part analyzes the deconstruction of lyrical subjectivity in Rimbaudâs verse in relation to the breakdown of the âsensory-motor linkâ described in the first volume of Deleuzeâs Cinema; it discusses these homologous movements as a release of free-floating bodily potentiality. The second part shows how the shift from the first to the second volume of Deleuzeâs Cinema and the shift from verse to prose poetry in Rimbaud constitute the formal dimensions of a shared political project based on the transformation of bodily life, or a biopolitical transformation. This project can be understood as communist insofar as it attempts to liberate time from capital for the body and to produce a social form based on sharing the common (or common bodily potentials).View full textDownload full textKeywordsDeleuze, Rimbaud, biopolitics, corporeality, temporality, communismRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/0969725X.2011.591590
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机译：本文从物质性，暂时性和政治性之间的交汇处考察了吉尔斯·德勒兹（Gilles Deleuze）（尤其是电影院）的哲学和亚瑟·林波（Arthur Rimbaud）的诗歌。第一部分分析了在德勒兹电影院第一卷中所描述的林波的抒情主体性的解构与“感觉－运动联系”的崩溃有关。它讨论了这些同源运动是作为自由漂浮的身体潜能的释放。第二部分说明了德勒兹电影的第一卷到第二卷的转变以及林波德从诗句到散文诗的转变如何构成基于身体生活或生物政治变革的共同政治计划的形式维度。转型。这个项目可以理解为共产主义者，因为它试图从共享资本中解放出时间，并在共享共同（或共同的身体潜力）的基础上产生一种社会形式。查看全文下载全文关键字Deleuze，Rimbaud，生物政治，有形，暂时，communismRelated var addthis_config = {ui_cobrand：“泰勒和弗朗西斯在线”，services_compact：“ citeulike，netvibes，twitter，technorati，delicious，linkedin，facebook，stumbleupon，digg，google，更多”，发布：“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/0969725X.2011.591590
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