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ZX spectrum scene poetry: genre, platform, localness

机译:ZX谱场景诗:流派,平台,本地

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摘要

Digital media are used for creative purposes, however, in various geographical and cultural contexts, different platforms are used in various ways, and this affects the shape of the works and the popularity of particular forms of expression. Technical limitations of the platform are a challenge for digital artists, influencing the artistic shape of the work. In the article, we identify and discuss scene poetry, a genre of digital expression associated with the demoscene subculture. The demoscene brings together programmers and graphic artists who are affiliated with the platforms. Creators who identify themselves with the platforms aim to bypass limitations and push the boundaries as well as the capabilities of individual platforms. Demonstration programs (so-called demos) are used for this purpose, which is to present the graphic, music and coding effects achievable on a given piece of equipment. The ZX Spectrum is an 8-bit British computer, which is known for its many limitations compared to other 8-bit machines (Atari, Amstrad or Commodore 64). This computer was extensively cloned in countries behind the Iron Curtain in the 1980s and 1990s (especially in Russia, but also in Poland, Czechoslovakia, and others). Computer users not only created their own hardware models, but also a number of new forms of expression. One of them is the described scene poetry. The use of a large amount of text in demonstration programs on the ZX Spectrum computer is a phenomenon, and it is the result of its technical limitations.
机译:数字媒体用于创造目的,然而,在各种地理和文化背景下,不同的平台以各种方式使用,这影响了作品的形状和特定形式的表达式的普及。平台的技术限制是数字艺术家的挑战,影响工作的艺术形状。在文章中,我们识别并讨论了场景诗,一种与解除莫文螯合术相关的数字表达类型。 Demoscene将与平台附加的程序员和图形艺术家汇集在一起​​。与平台识别自己的创造者旨在绕过限制并推动边界以及各个平台的功能。示范计划(所谓的演示)用于此目的,该目的是在给定的设备上提供可实现的图形,音乐和编码效果。 ZX光谱是一个8位的英国计算机,与其他8位机器(Atari,Amstrad或Commodore 64)相比,其许多限制已知。这台计算机在20世纪80年代和1990年代(特别是在俄罗斯,而且在波兰,捷克斯洛伐克等)中,这台计算机被广泛克隆。计算机用户不仅创建了自己的硬件模型,还创建了许多新的表达式。其中一个是描述的场景诗歌。在ZX Spectrum计算机上使用示范程序中的大量文本是一种现象,这是其技术限制的结果。

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  • 来源
    《Digital scholarship in the humanities》 |2020年第3期|623-634|共12页
  • 作者

    Marecki Piotr; Yerzmyey;

  • 作者单位

    Jagiellonian Univ Fac Management & Social Commun Krakow Poland;

    Jagiellonian Univ Fac Management & Social Commun Krakow Poland;

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  • 原文格式 PDF
  • 正文语种 eng
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