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A New Manuscript Compilation of Katherine Philips: The Commonplace Book of Robert Mathewes

机译:凯瑟琳·菲利普斯的新手稿汇编:罗伯特·马修斯的平凡书

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摘要

When Katherine Philips died in 1664 at the age of thirty-two her poems were circulated primarily in manuscript and had been published collectively only in a single unauthorized edition. By the end of the century she was celebrated amongst the nation's finest poets by both male and female writers, her posthumous success driven and cemented by an impressive folio volume of her works published in 1667 and expanding manuscript and print readerships. Philips was regarded as one of the most influential female poets of the period: writing in a range of poetic forms and genres, her works widely read in both manuscript and print, she heralded the beginnings of 'a coherent and self-conscious tradition of women's writing in English'. Unlike her contemporaries Margaret Cavendish and Aphra Behn, Philips was seen as a chaste and virtuous female poet, an exemplar of female authorship who avoided the taint of eccentricity that surrounded Cavendish, and the charges of immodesty and lewdness often levelled against Behn, the first professional female writer.
机译:凯瑟琳·菲利普(Katherine Philips)于1664年去世,享年32岁。到本世纪末,她被男性和女性作家誉为全美最优秀的诗人之一,其死后的成功归功于其在1667年出版的令人印象深刻的作品集以及不断壮大的手稿和印刷品读者群。飞利浦被认为是该时期最有影响力的女诗人之一:以多种诗词形式和体裁写作,她的作品在手稿和印刷品中得到广泛阅读,她预示着“一种连贯而自觉的女性传统的开端。用英语写作”。与她的同时代玛格丽特·卡文迪许(Margaret Cavendish)和阿芙拉·贝恩(Aphra Behn)不同,飞利浦被视为贞洁贤哲的女诗人,是一位女性作家榜样,避免了卡文迪许周围的古怪之味,而且对第一任专业人士贝恩的谦卑和le亵行为常常受到谴责。女作家。

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  • 来源
    《The library》 |2016年第3期|287-316|共30页
  • 作者

    JENNIE CHALLINOR;

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