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Arts & Humanities

机译:人文艺术

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This stimulating catalog, which accompanies an exhibition of more than 50 seminal works by 32 artists that opened at New York City's Jewish Museum this spring, reexamines the roots of postwar American abstract expressionism as interpreted, championed, and denounced by rival critics Clement Greenberg and Harold Rosenberg. While Greenberg supported and promoted the formal purity of Jackson Pollock, Clyfford Still, and David Smith, Rosenberg extolled the radical creative processes of "action painting" by Willem de Kooning, Barnett Newman, and Mark Rothko. Nine essays by prominent scholars including Kleeblatt (Susan & Elihu Rose Chief Curator, Jewish Museum) analyze the era to illuminate the reception of the art, specifically in relation to political ideologies, New York cultural and literary circles, European intellectual influences such as existentialism, Jewish identity, and popular media attention. The catalog vividly re-creates relations between artists and critics, major exhibitions, and key statements and lectures. Full-color reproductions of the art as well as personal correspondence and photographs are also included. Many important artists are represented by only a work or two; however, the movement's diversity and vitality come to life in this beautifully printed and presented catalog. Highly recommended for academic and larger public libraries.
机译:这个令人振奋的目录伴随着今年春天在纽约市犹太博物馆开幕的32位艺术家的50多项开创性作品展览,重新审视了战后美国抽象表现主义的根源,这些抽象主义是由竞争对手评论家Clement Greenberg和Harold解释,支持和谴责的。罗森伯格。格林伯格支持并提倡杰克逊·波洛克(Jackson Pollock),克莱夫福德·斯蒂尔(Clyfford Still)和大卫·史密斯(David Smith)的形式纯正时,罗森伯格赞扬了威廉·德·库宁(Willem de Kooning),巴尼特·纽曼(Barnett Newman)和马克·罗斯科(Mark Rothko)创作的“动作绘画”的激进创作过程。包括Kleeblatt(苏珊和埃利胡·罗斯,犹太博物馆首席策展人)在内的著名学者发表了九篇论文,分析了时代来阐明对艺术的接受,特别是在政治意识形态,纽约文化和文学界,欧洲知识分子(如存在主义,犹太人的身份,以及大众媒体的关注。该目录生动地再现了艺术家与评论家,大型展览以及重要陈述和演讲之间的关系。还包括艺术品的全彩色复制品以及个人通信和照片。许多重要的艺术家仅代表一两幅作品。然而,机芯的多样性和活力在印刷精美的目录中得以体现。强烈建议用于学术图书馆和大型公共图书馆。

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    《Library Journal》 |2008年第14期|125-131133134|共9页
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  • 入库时间 2022-08-17 23:19:14

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