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Artifacts of Revolution: Architecture, Society, and Politics in Mexico City, 1920-1940

机译:革命神器:1920-1940年在墨西哥城的建筑,社会与政治

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Urban historian Patrice Elizabeth Olsen's recent book is a thoroughly researched examination of political history in relation to architecture in Mexico City during successive post-Revolutionary presidential administrations from 1920 to 1940. The author's premise "is that significant cultural and political agendas of the Mexican Revolution can be made intelligible through an understanding of works of architecture built in the formative years 1920-1940—the artifacts of the Revolution in Mexico City. This architecture provides us with a means of tracing and understanding the path of the consolidation of the Mexican Revolution, constituting indelible evidence of the process by which that revolution evolved into government" (xi). With this in mind, Olsen explores the intertwining of post-Revolutionary architecture and politics in the capital, using presidential terms, political agendas and upheavals, and significant works of architecture as points of demarcation.
机译:都市历史学家帕特里斯·伊丽莎白·奥尔森(Patrice Elizabeth Olsen)的最新著作是对1920至1940年革命后接任总统执政期间墨西哥城与建筑相关的政治历史的详尽研究。作者的前提是“墨西哥革命的重要文化和政治议程可以通过理解在1920-1940年形成的建筑作品(墨西哥城革命的文物)使人们变得通俗易懂,这种建筑为我们提供了一种追踪和理解墨西哥革命巩固道路的方法,革命演变成政府的过程具有不可磨灭的证据”(xi)。考虑到这一点,奥尔森以总统任期,政治议程和动荡以及重要的建筑作品作为标界,探索了首都后革命建筑与政治的交织。

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