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Medieval Architectural Theory, the Sacred Economy, and the Public Presentation of Monastic Architecture: The Classic Cistercian Plan

机译:中世纪建筑理论,神圣的经济,以及修道院建筑的公开演示:经典的Cistercian计划

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The Cistercian abbey church plan with a flat east end (the area of the main sanctuary and the transepts) is one of the most distinctive-and most discussed-plans of medieval architecture. Its most widely known formulation is that of the second abbey church of Notre-Dame at Fontenay (traditionally 1139-47). Fontenay was founded as a daughter house by Bernard of Clairvaux (1090-1153), the most influential ecclesiastical politician of his day and the most important source we have for understanding medieval art and architecture in their original polemical contexts (Figures 1,2,3, and 4). This plan, commonly called the Ber-nardine plan, is seen by many as the direct result of Bernard's personal views on monastic church architecture, although some disagree with both the term and the assessment. As one of those who disagree that there is a direct connection between Bernard and this plan type, I will refer to it here as the "classic Cistercian plan," implying nothing more than that it is the most widely recognized architectural plan of that important order.
机译:Cistercian Abbey教堂计划与东端(主要的避难所和Transepts)是最独特 - 最讨论的中世纪建筑计划之一。其最广为人知的制定是在Fontenay(传统上1139-47)的Notre-Dame的第二个修道院教堂的制定。 Fontenay由Clairvaux(1090-1153)的伯纳德成立了一个女儿之家,这是他一天中最有影响力的教会政治家,以及我们在原始北方语境中了解中世纪艺术和建筑的最重要的来源(图1,2,3和4)。这个计划通常被称为BER-NARDINE计划,许多人被许多人视为伯纳德对修道院教堂建筑的个人观点的直接结果,尽管有些不同意这个词和评估。作为其中一个人不同意伯纳德与这个计划类型之间存在直接连接的人之一,我将在这里将其称为“经典的克里主义者计划”,这是什么都不是这是一个重要的秩序中最广泛认可的建筑计划。

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